
March 25, 2009
"Roscoe"

March 23, 2009
"Blessed are the cheese makers"

March 18, 2009
"Anna" - R.I.P.

March 11, 2009
"Art Nouveau Harley-Davidson"

March 9, 2009
"Chloe"

March 4, 2009
"Lochi"

This little guy is named Lochi or is it Lockie? It is short for "Low Key."
How he would spell it is anyone's guess:
It isn't just one of your holiday games
You may think at first I'm mad as a hatter
When I tell you a cat must have three different names
First of all, there's the name that the family use daily
Such as Peter, Augustus, Alonzo or James
Such as Victor or Jonathan, George or Bill Bailey
All of them are sensible, everyday names
But I tell you a cat needs a name that's particular
A name that's peculiar and more dignified
Else how can he keep up his tail perpendicular?
Or spread out his whiskers or cherish his pride?
Of names of this kind, I can give you a quorum
Such as Munkustrap, Quaxo or Coricopat
Such as Bombalurina, or else Jellylorum
Names that never belong to more than one cat
But above and beyond there's still one name left over
And that is the name that you will never guess
The name that no human research can discover
But the cat himself knows and will never confess
When you notice a cat in profound meditation
The reason, I tell you, is always the same
His mind is engaged in rapt contemplation
Of the thought, of the thought, of the thought of his name
His ineffable, effable, effanineffable
Deep and inscrutable singular name
Name, name, name, name, name, name
T.S. Elliott
"Vodka Martini with Three Olives"

February 24, 2009
"Crustaceans"

February 23, 2009
"Olive and Friend"

Have you ever wondered why some words are invariably coupled with a particular qualifying adjective? For instance, have you ever heard pride described as anything but foolish? It's always "foolish pride." Olive drab is another. Why are olives drab, I ask you? I painted this painting of Anne Stark's Whippet, Olive, to prove not only is this Olive not drab, but she is quite vibrant. Well OK, perhaps her companion is the vibrant one but I say guilt by association. All that pink reflects well on her.
February 19, 2009
"RibN"

My mother was a product of German immigrants. She was what you might call a "disinterested" cook. Her limited culinary bag of tricks was distinctly 50's - no herbs, no spices (except Adolf's meat tenderizer, S&P (not freshly ground pepper- Heaven forbid!), maybe some dried oregano to throw in the spaghetti, canned vegetables, and then cook the hell out of everything (sorry Mom). Although her father was a professional pastry chef, I'm afraid the apple fell very far from that tree. To be fair, my mother was a diabetic and an ex model and actress, so I guess food wasn't high on her list of priorities. Thankfully for me, my boyhood friend Keith's parents allowed me to tag along when they went to Hausner's. My palate, dulled by years of bland cooking, was desperate for new experiences. Imagine a 14 year old boy tucking into his first plate of hasenpfeffer...Yum!! Did I mention that Hausner's was known for their strawberry shortcake?
February 18, 2009
"The red coats are coming!"

February 12, 2009
"Three Foxhounds"

February 9, 2009
February 5, 2009
"We're all in this together"

February 3, 2009
"Eat Bertha's Mussels"
January 27, 2009
"Dino"
January 26, 2009
Stage Makeup
January 23, 2009
"Two horses with braided manes"
One of the most challenging things about recording the pageantry of the Blessing of the hunt held every Thanksgiving in Gyndon, Maryland is the intermingling of the hoi polloi and the hoity toity. The bucolic landscape of the valley is littered with petters in sweaters, mothers with strollers, teens with their iPods and photogs with tripods. Trying to get a clean shot is nearly impossible. Thankfully, as a painter, I can often just edit them out in the composition. While it might have been nice to include the quaint St. John's Episcopal Church in the background, there was something pleasing about the simplicity of this painting. The focus is on the magnificent beasts and the intricate harnesses and not the scene wherein they play in. I chose to use a simple blue into green gradient although not without trepidation. I had a back-of-my-mind fear that it may come off looking like the colored tissue paper that folks in the 50's put over their black and white TVs to simulate color; blue for the sky, red for the people and green for the grass. My fears turned out to be groundless, no pun intended, and the gambit paid off. The tack and harnesses proved to be much more labor intensive than I first imagined, but I always look at my reference and think I can lay it down in an hour and 6 hours later I am still pushing paint around. I may have to paint some fruit or oysters tomorrow just to prove to myself that I can paint a sketchy painting.
January 21, 2009
"Cleo"
I am posting this late tonight and hope to write a bit more tomorrow afternoon. This is Cleopatra, a long haired Eastern German Shepherd. She was 13 weeks when she posed for this painting. Sorry about the huge file. I lost photoshop when I lost my computer and can't figure out how to resize things in lightroom.
January 14, 2009
"Dabo"
January 13, 2009
"Monet in a cable knit sweater"

January 8, 2009
Strange request (ndp)

An artist friend of mine made a strange request the other day. He said "Mark, I tried to paint a painting of my daughter's dogs and it didn't turn out well. I know you paint dogs. Do you think you could touch this up?" I, of course, was flattered but had never over-painted someone else's work before. I said I would see what I could do. It had quite a thick impasto of white on the panel which had to be removed before I could proceed. The original reference was of Kate, Emmie and Bandit laying on a white fur rug, which was probably taken at a Petsmart or some such place. I applauded my friend's artistic licence in creating the landscape instead of laying in the backdrop used for the photo and left it in, feathering the "snow" up to it. It's ironic that my first painting of the new year isn't really mine. It was an interesting exercise and a good way to get my hand back in it. How many of us have lost a painting and would have the nerve to ask someone else to save it? Of course he may not be thrilled that I posted this. Oops.

January 6, 2009
"Self portrait with Vincent"
January 5, 2009
Burglary
Stay tuned. New work is coming, I promise.
December 19, 2008
"Down the tubes"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
Every time I go to the John I am reminded of Wall Street. Why do you think that is? I guess we are all concerned about our nest eggs being flushed down the loo. I was in New York last week at Bond 45 for lunch. Nature called and I answered. While I was attending to the business at hand I found the plumbing intriguing. Hope you do, too.
December 18, 2008
"Champion Piper's Roman Gladiator"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
I deleted this by mistake so I am posting it again. Be sure to look down for todays painting which is underneath this one. It's a shame I lost this to cyberspace, there were some very lovely comments attached that I will miss. BTW - this is another of Anne Stark's dogs. You can find them at: www.piperspuppies4u.com
"Wilt on a Cold Day"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
As you can see, I am still in Dog Mode. Not that there's anything wrong with that. What appealed to me about this reference, other than the fact that he looks like Michael Phelps after winning his second gold medal at the summer Olympics, were the red and green blankets - quite apropos given the season. City street lights, even stop lights, blink of bright red and green. There is something magical about this set of complementary colors that isn't present in blue/orange, violet/yellow or other spectral variations. If you read my tag the other day you may have noted that I am mad for hot food. On a recent trip to New Mexico I was dining in a Tex-Mex restaurant and ordered some enchiladas. The server asked if I wanted my sauce, "red, green or Christmas?" Christmas, of course, meaning both. This little guy looks like he's plopped down on a plate of Christmas chile sauce. I have always been a Christmas kind of guy. In fact, I'm starting to look like a bit like Santa. By that, I mean I'm letting my white beard grow long, though I have been working harder on that bowl full of jelly than I should! Heck, I named my daughter Holly. Speaking of the holidays. I may be very busy this coming week; making lists and checking them twice, etc., so this may be my last post for a while.
December 16, 2008
"JJ upside-down on a hooked rug"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
I had an e-mail from a friend the other day who complained that I had been remiss in my blog duties, that I have not fleshed out the posted paintings with my usual amusing stories and bon mots. I'll grant you les mots justes have not been readily at my fingertips. Perhaps it is laziness on my part or is it that I have spent my creative energy on creating the painting and have nothing left for the blog? I usually tell myself that I will do the write up in the morning when I am fresh. Sometimes this happens but more often than not it doesn't. Gene Fowler said "Writing is easy: you just stare at a blank sheet of paper until drops of blood appear on your forehead."
Henceforth I will try and give the paintings a little background.
JJ brought me a little present tonight; a live mouse he found in the basement. He was plainly pleased with himself, since he isn't allowed outside and has hitherto only had various faux mice to play with. His delight turned to frustration when his treasure made a break for it and wound up behind my bookcase. JJ is in there still, biding his time.
December 8, 2008
"Rover and Moe"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 10”
I didn't get too much of a back story on these little guys. I know that Rover (on the right) has gone to join the morning stars and his owner misses him terribly and wanted a posthumous portrait to commemorate his short life. Short in stature only. Judging from his grey muzzle he had a long and happily life. His notched left ear is a complete mystery. I should follow up on that.
December 3, 2008
Getting the Blues

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I was at the art supply store yesterday and finally decided it was time to replace the ancient tube of Cerulean Blue paint that I've had in my paintbox since high school. I needed a dab of it the other day and found it lacked a certain youth. I also bought a tube of Cobalt Teal on impulse. (Cobalt Teal? Who knew?) I have been impressed with some of my fellow daily painters pool/ocean paintings and wanted to play with the genre. Splashing around in all that blue paint was totally foreign to me. My early palette layout was decidedly Dutch, with just a touch of Ultramarine keeping the earth tones company, to cool down the shadows. Although Salvador Dali disapproves of the pigment in his book "Fifty Secrets to Magic Craftsmanship," I also keep a bit of Prussian Blue on my palette. Laying on the paint in such a free manner was cathartic. It is good for a realist painter to remember what the medium is capable of. I didn't wait 30 minutes after eating to jump into this painting. I'm happy to report that I did not get a cramp.
"Maryland Steamed Crab"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
There is a song that is popular around this time of year called “[Oh, I want] Crabs for Christmas.” You may think that crab season is long gone. Au contraire, mon frère! Some of the best crabs we have ever had were consumed in the winter. Granted they were brought up from Texas or Louisiana but they were meaty and delicious. This little guy was the last of the local Chesapeake Bay harvest. Small, but fat and sweet. A pitcher of Natty Boh (National Bohemian) is the perfect accompaniment to these delightful crustaceans but sadly, at our favorite crab house we have to settle for Coor’s Light. It is visually identical to Boh, so use your imagination. Cheers!
December 2, 2008
"Tally Ho"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I have attended the Blessing of the hounds at St. John's Episcopal Church in Glyndon, Md for the last couple of years. The church is a charming neo-gothic cathedral nestled in the heart of horse country. It has always been pet friendly. For instance; my wife and I often attend Christmas morning service there where our dear friend Father Frederick Hannah has been the guest rector. I grant you it is a tiny church but I can only surmise that the bulk of the congregation was in attendance on Christmas Eve since the 10:00 am morning service never boasted more than two dozen or so parishioners. One Christmas morning, as we knelt at the alter awaiting communion, we notice a tiny nose poking out of the jacket of the man next to us. He had a tiny puppy with him. Father Fred gave the man the host and blessed the little dog, he did not let the puppy drink from the common cup.
I don't normally cut off heads in my compositions but this painting cried out for ambiguity and abstraction. The negative spaces, the pull of red and green, and the free brushwork came together to form a very pleasing painting (at least to me).
November 27, 2008
"Please sir, I want some more."

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
We weren't lucky enough at my high school to have our own composer like Kelsey from High School Musical to create something original. For our senior musical we were forced to use the work of Lionel Bart. I must that say our production of Oliver! was very professional, and not just because of the great scenic artwork in which I had a hand. Right by the computer are two large french doors and very often one or more little faces are pressed up against the glass, looking in with pleading eyes for more food. Even if I slide the door very slowly, they scatter. All except Sammy that is, he comes just inside the door to have a look. There is a scene in Oliver! when young Oliver, having finished his meager bowl of gruel goes up to Mr. Bumble for seconds. "Please sir, I want some more." he says. I often think that is running through these little girls' heads. This is of course Piper and her new daughter Shirley.
This painting looks better in reality. The photo doesn't show off the softness of the fur very well. For the record, my high school basketball team were the Parkville Knights. "Get your head in the game!"
November 24, 2008
Tag - you're it!
November 20, 2008
"Max"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
I've never painted a Cornish Rex before today. The coat of a Cornish Rex is curly and extremely fine. It's more like down than fur. Indeed, Max here would get hypothermia on a day like today if he was allowed outside. Not unlike JJ, Max has found a recently closed laptop to perch on. He lives with my friend George and his antics are legend. In case you were wondering what is in the background of this piece; it is huge glass bell dome covering a stuffed crane atop an ornate carved chinese stand.
As I am typing this, some drama was happening just outside. I had given Piper and the kids a bowl of kitten chow about 10 minutes ago and when I looked out, a very large raccoon was woofing down their food. They were cowering in their cooler/cathouse. I chased off Rory and checked on the gang. Everybody was OK, thank goodness. I still don't have the heart to separate Piper from her children. I am working on gaining there confidence.
It felt good to be back at the easel today.
November 18, 2008
Art - A seeing and feeling process
November 13, 2008
They're Baaack - and I'm gone









November 10, 2008
"Kittens in a wall"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
Maybe it's the little guys frolicking just outside the studio that made me want to paint this piece. I have been spending way too much time watching the "rat pack" as we call them. Sammy, Dino and Shirley are destined to make the move into the studio before the snow flies. I made a make-shift house by cutting a 8" x 8" hole in front of an old igloo cooler and put a heated dog bed in it, which they have taken to, so I am slightly less worried about them being cold. Piper is still a hissy little bitch but the kids are starting to think the big pink monster is O.K.
These little kittens looked at first like they were stuck in the wall of my friends barn, but I was assured that they could come and go with no problem and that they felt safe in their nest. Having a farm can be a challenge. People seem to think they can dump kittens off with impunity. After all, everybody knows you can't have too many barn cats. At last count my friend has 50 some outside cats and 16 inside. She is more of a bleeding heart than I am, God bless her.
November 6, 2008
"Toasted Marshmallow"

Oil on museum quality, archival ampersand gessobord™ panel - 5” x 5”
