"Sammy"

Oil on panel  - 8" x 8"

It seems odd to sit here knowing there is no place to put my work anymore.  Well, to be fair, there is still facebook and this blog.  I was speaking more of an internet commerce site.  Five years ago I became involved with the daily painting movement - a collection of artists motivated to paint and post a painting every day of the week and some weekends as well.  Those familiar with this blog know that I failed miserably at the "daily" part. I did post 149 entries in 2008, less in 2009 and continued to fall off from there.  It's not that I couldn't have done something everyday but I didn't merely want to dash out a piece just for the sake of saying I showed up.  I think it's like Cal Ripken's continuous 2131 game streak or better yet, Lou Gehrig's.  It may be blasphemous to say but I suspect there were days when the manager put them in for one "at bat" just to keep the streak going.  I am going to miss my fellow painters at www.dailypainters.com.  Some of them were stellar and did manage to produce quality work on a more or less daily basis.  I endeavor to become more disciplined in the coming months.  Hopefully, with better time management, I can do both gallery work and some small pieces.  

It's fitting that my farewell piece is my boy Sammy looking wistfully out the studio window.

"JJ on a leather sofa"

Oil on museum quality ampersand gessobord panel - 8" x 10"

Just for fun.

"Ruby"

Oil on museum quality ampersand gessobord panel - 8" x 8"

As you will see in my next post - I have become a new member of fellow daily painter Diana Moses Botkin's "Art Challenge Group." Challenge groups like these are very beneficial in exercising the little grey cells. Once a month a new subject is chosen and explored. The finished works are kept secret from the other members of the group until the day they are revealed and posted. This month's topic was "tools of the trade." As you can imagine, some of the group did not venture past the tools at hand in the studio. A wealth of material is there to be sure. I guess technically I, too, did not leave the confines of my workspace, but how many artists have a fully stocked bar in their studio? It's a good thing there is no Guinness on tap or I would get even less done than I do.

What does all this have to do with little Ruby here? I'm glad you asked. I almost used her as my "tools of the trade" painting. You see, Ruby was a tool of the trade, a casualty of a puppy mill. A retired breeding bitch, she was cast off and sent to a shelter after her usefulness as a breeder was gone. Her teeth are non-existent. Her jaw was broken and poorly set. Her tongue, with no teeth to hold it in, hangs from her mouth in a sad, but smile inducing sort of way. (I painted her "good" side, but she is adorable on both) Weighing in at a mere 8 pounds, even for her breed she is tiny. The shelter reached out to an Italian Greyhound rescue group and my friends down in Texas fell in love with their first Iggy. Ruby could not have asked for a better forever home.

"Louie"

Oil on museum quality ampersand gessobord panel - 6" x 8"

I still had a bit of paint mixed up from the previous night's session and thought I could put it to good use. Whoever it was that gave me the tip about freezing the palette to retard drying - thank you, thank you, thank you!

The leftover pigment was used to paint this piece. Have you ever known a standard poodle that was afraid of the water? Well, I have. His name is Louie (or should that be Louis?) Whatever. Anyway, Louie has the same enthusiasm for the water as I have for boats. He'll fetch a tennis ball all day, but throw it in a pool, river, stream or estuary and all you get is a quizzical look, as if to say "Surely, you don't expect me to go in there and get that!" This day, my friend was determined to show him how much fun it is and gave him a little(?) nudge into the pool. He was not amused.

The photograph of the painting is not particularly too good. I didn't post it last night, thinking that a wash of north light might help. It didn't. Like people, some paintings just don't photograph well. Here it is nonetheless, just to prove I'm still stroking away.

"Owen and Ellie"

Oil on museum quality ampersand gessobord panel - 8" x 8"

I was amused by these little imps sitting on a pile of cookbooks with an empty dish beside them. It's as if they are saying "You don't need a recipe, just put something in the dish please." My boy, JJ, is notorious for sitting on anything I am trying to read. I'm sure none of you ever have that problem {;-)>

"Jane"

Oil on museum quality ampersand gessobord panel - 6" x 6"

My friend Debby has a new mare to hitch to her team of draft horses. Her fancy name is Seven Lick Acres Jane. Whether you call her by that hefty appellation or just plain Jane, she is quite a horse. I had fun with the coloration on this small piece. Hey, at least it wasn't another oyster.

Sammy upside down and happy

Oil on museum quality ampersand gessobord panel 6" x 8"

My boy Sammy was vying to be on the blog again so how could I resist? Although my wife disagrees, I think the background looks like a roaring volcano or the flames of Hades. Sam has a little white bib and a white tum with he is obviously proud of, as he is fastidious about keeping it snowy white.

"Vincent on quilted pillow"

Oil on museum quality Ampersand Gessobord™ panel - 8" x 10"

The recent spate of posthumous pet portraits has led me to the archives and this image of my own dearly departed Vincent. If you have ever read Cleveland Amory's "The cat who came for Christmas" you will understand the reference that Vincent was my "Polar Bear". A cat like him comes along once in a lifetime (if you're lucky). I am twice blessed because J.J., too, is such a cat, (meaning no disrespect to Sammy, Shirley or Ella). Vincent was only with us for ten years and struggled with uncontrolled diabetes for the last 3 1/2 of those. We planned our social schedule around his 12 hour insulin routine. What a brave boy he was! Because his blood sugar had wild swings up and down, we had to test it just before giving his shot. The drill was this: heat a small sock filled with rice in the microwave. Press it to his ear until the blood warmed and shine a small flashlight to see a vein. Prick it with a retractable lance pen and get a sample then calculate the amount of insulin. You would think the sound of the microwave would send him hiding under the bed. On the contrary - he would saunter into the kitchen and flop over on the rug, knowing he was going to get lots of love and attention. God, I miss him.

"Dallas"

Oil on museum quality ampersand gessobord™ panel 8" x 10"

See - I'm not dead, although my old hard drive is. What a nightmare trying to salvage my images and reload all my programs onto the new drive. Although I have a huge 1T external hard drive, I had become lax about backing up. Lesson learned. Back up your work every day or at the very least once a week. It is also a good idea to keep your program and driver disks in one handy place in case you have to reload them. I have been painting during all this mess but most are Christmas presents and I didn't want to post them for fear of blowing the surprise. This is one such painting, but I doubt the recipient is aware of my blog. I was not told his name but he reminds me of Tramp from the old TV show My Three Sons.

This just in: "His name is Dallas and he's a rescue dog...he has a new family in Ellicott City."

"Asta"

Oil on museum quality ampersand gessobord panel 6" x 8"

This piece is much nicer in reality. Try as I might, I couldn't get the subtle coloration to come through. Perhaps It is the late hour. That said, I won't be writing much about this piece tonight other than to say that Asta is one of the sweetest dogs I have ever met. He is the canine equivalent of JJ and that is high praise indeed. He is also the top dog at my favorite restaurant - The Dogwood in Baltimore.

"Bella"

Oil on museum quality ampersand gessobord panel 8" x 10"

I was channeling my inner Matisse tonight with this painting of Bella. The jury is out on the contrasting colors and vertical stripes. Again I wanted the paint to show so I didn't get too fussy with it. I may be horrified in the morning. Hitherto I had not painted a vizsla, so it was a challenge on many levels.

"Oh Lucy!"

Oil on linen mounted on board 6" x 8"

...you got some splainin' to do! Actually I've got some splainin' to do. Today's painting was an experiment with painting on a more textured surface than I have been using for these little studies. I had an e-mail from someone who liked my work but preferred a more textured surface than my usual ampersand panels . Oddly enough, I find the brushwork is more pronounced on a smooth support, as the stroke has no place to hide and is there for all to see. I'll grant you that you do get an evening out and diffusion of light reflected off the surface of a cloth support but on such small work it is tantamount to painting on burlap if you scaled it up. I personally like the bit of tooth that ampersand panels have.

I met Lucy last week at a friend's house. I assume her appellation was derived from a certain wacky redhead that we all know and love. She is a sweetheart.

I've had to begin comment moderation as I have been getting a lot of spam on the comment page lately. Sorry about that but your feedback is still important to me so keep 'em coming.

"Carmel"

Oil on museum quality ampersand gessobord panel 5" x 7"

For some perverse reason I wanted to try and paint my sister-in-law's dog, Carmel with a single worn out bristle brush. I was mostly successful, with the exception of a small sable brush for the detail in the eyes. I kinda scrubbed in the oriental rug rather than get too fussy with it. There is some fun greens and blues in her fur. According to my niece's facebook page, Carmel, whom she lists as a sibling, is spelled "Carmel" although I think she was named for the candy (caramel) How does one pronounce caramel anyway? Is it like that town in California or does it have three syllables as in Car-a-mel? This burning question (even more than TP - over or under?) has plagued me for years.

"Leo in the sunshine"

Oil on museum quality ampersand gessobord panel 6" x 8"

Here is Leo once again in happier days relaxing in the morning sun. Sadly he recently crossed over the rainbow bridge after nearly two decades as my friend Stephanie's constant companion. I have been sitting on this reference for a while, waiting for the right time to use it. I've been in an artistic funk (again) and he has helped me through it. Thanks, Leo!

"Bean"

Oil on museum quality ampersand gessobord panel 8" x 12"

Talk about stepping out of my comfort zone - first landscapes and now interiors. I have had this commission in the queue for months and finally decided to tackle it. The intense light and fauvist color allowed me to have more fun than usual. Bean was my friend Kim's longtime companion and was once given an opportunity to spend some time in the Virginia countryside. Once home, being a city girl and not free to roam, all she could do was wistfully dream of her days chasing butterflies from her SoWeBo windowsill.

"Big Yawn"

Oil on museum quality ampersand gessobord panel 5" x 7"

My wife isn't the only one who objects to the ghoulish nocturnal creative hours I keep. J.J. plainly feels that my time would be much better spent in bed, with the electric blanket on high and him under my arm under the covers. Clever cat that he is, I may adopt his suggestion in short order. Just when I got use to spring, winter has come back to Baltimore and there is a real chill in the air tonight. I'm sure I will miss this weather during the dog days of summer but now - not so much. It could be that J.J. is merely bored with my artistic pursuits. Hopefully he will perk up when he sees himself starring in the blog tomorrow.

"Harvey"

Oil on museum quality ampersand gessobord panel 8" x 8"

To those patient people still checking in daily, who thought perhaps I was stuck in some Northern European country waiting for the volcanic ash to settle, I apologize for not posting more often. I was traveling earlier this week, although thankfully not abroad. I was in Boston on a three day culinary tour. Talk about food that is delicious and bad for you! Scup's in the Harbor, Craigie on Main, Gibbet Hill Farm, Neptune Oyster House and Barbara Lynch's new restaurant Menton were a feast for the eyes and the soul. You will be seeing some food art in the near future. In the meantime here is a fun painting of my friend's Basset Hound - Harvey.

"Sammy in the Sunshine"

Oil on museum quality ampersand gessobord panel 6" x 6"

Sammy has probably been thinking 'Hey, what am I chopped liver,?" since, hitherto, he has not been represented on this blog. J.J., Ella, and even little Shirley have all made it to stardom, but not Sam. It's not that I didn't think him worthy -far from it. Painting a black cat presents an artist with an interesting challenge. More often than not they are just a big black blob with piercing green eyes. Sitting in the sun changed that perspective and all his subtle coloration came to the fore and he positively glowed. Like Sammy says - "I gotta be me."

"Muzzy"

Oil on museum quality ampersand gessobord panel 6" x 6"

I find Facebook an interesting Internet phenomenon. One can lurk in the shadows and yet keep abreast of one's friends' and family's goings on. I personally have no idea or care about what happens in Farmville or what all those hearts and gold stars that all my Facebook "friends" bestow on each other mean. What I do care about is when I read about something extraordinary - whether happy or sad - that happens to one of my friends. "Friend" is a word that is thrown around a bit too casually these days. I have always counted myself blessed to have so many people in my life that I consider true friends. You know - the ones you can call in the middle of the night when you have broken down on some God-forsaken country road 50 miles from home and they will rub the sleep from their eyes, pull on their pants and come get you. It's what friends do. Don't get me wrong, I am pleased and fascinated by my Facebook "friends." It's nice to know that even a few total strangers consider me interesting enough to want me as their "friend." But the real point of this is that I recently saw a post about the passing of my friend's friend's dog. I only met the dog's owner once or twice at a party, but I was so moved by the photos of his beloved Muzzy and the touching comments from those who knew her, that I wanted to paint her portrait to honor her memory. She has a regal look about her, perhaps owing to the Elizabethan collar of white fur around her nape. The floral ottoman allowed for some fun brushwork and gave the painting some quiet femininity.

"JJ" - no, not my JJ

Oil on museum quality ampersand gessobord panel - 8" x 10"

Before I got swept up in the great move and before the back to back blizzards of 2010 I was loosely commissioned to paint this magnificent Ragdoll. After yesterday (sorry Tig) I thought it might be time to splash around in this feline's fantastic white mane. Besides I have a soft spot for any cat named JJ.