April 22, 2010
April 17, 2010
"Harvey"
Oil on museum quality ampersand gessobord panel 8" x 8"November 4, 2009
"Schatzi"
"I'm baaack" Yes I finally put brush to panel for the first time in the new studio. I couldn't find my maul stick, paint rags, turpentine, and miscellaneous other painting accouterments but I managed to get something on the easel. Schatzi is my friend Beth's wire haired dachshund. She's a real schweetie and reminds me of Alfalfa from the little rascals with her cute cowlick (Schatzi, not Beth). Hey, it's a start.
April 23, 2009
"Blue"
Oil on museum quality ampersand gessobord panel - 8" x 10"February 23, 2009
"Olive and Friend"
Oil on museum quality ampersand gessobord panel 8" x 8"Have you ever wondered why some words are invariably coupled with a particular qualifying adjective? For instance, have you ever heard pride described as anything but foolish? It's always "foolish pride." Olive drab is another. Why are olives drab, I ask you? I painted this painting of Anne Stark's Whippet, Olive, to prove not only is this Olive not drab, but she is quite vibrant. Well OK, perhaps her companion is the vibrant one but I say guilt by association. All that pink reflects well on her.
February 12, 2009
"Three Foxhounds"

January 21, 2009
"Cleo"
I am posting this late tonight and hope to write a bit more tomorrow afternoon. This is Cleopatra, a long haired Eastern German Shepherd. She was 13 weeks when she posed for this painting. Sorry about the huge file. I lost photoshop when I lost my computer and can't figure out how to resize things in lightroom.
January 13, 2009
"Monet in a cable knit sweater"

December 18, 2008
"Champion Piper's Roman Gladiator"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
I deleted this by mistake so I am posting it again. Be sure to look down for todays painting which is underneath this one. It's a shame I lost this to cyberspace, there were some very lovely comments attached that I will miss. BTW - this is another of Anne Stark's dogs. You can find them at: www.piperspuppies4u.com
December 8, 2008
"Rover and Moe"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 10”
I didn't get too much of a back story on these little guys. I know that Rover (on the right) has gone to join the morning stars and his owner misses him terribly and wanted a posthumous portrait to commemorate his short life. Short in stature only. Judging from his grey muzzle he had a long and happily life. His notched left ear is a complete mystery. I should follow up on that.
October 19, 2008
"Thor"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 10”
Last weekend two dear friends, Laura and Miriam, were staying at the studio. Both girls are aspiring opera singers living in New York. They asked me if it would be OK for them to bring their Miniature Schnauzer, Thor, with them. Hitherto my cats JJ and Anna had never had a canine houseguest, so I was naturally apprehensive but acquiesced. My fears, it turned out, were groundless. Thor, who lives in harmony, or at least detente, with a cat in the Big Apple, was not interested in my guys and JJ and Anna spent most of the weekend upstairs on the bed keeping a prudent distance. They never really met nose to nose, so I still don’t know what my guys think about dogs. At least they weren’t freaked out. They were more nervous about Laura’s morning vocal warm up exercises, which Thor is quite accustomed to. Not so with my childhood dog Emily. My father was a proud member of the American Legion and one chilly Sunday he took my sisters and me downtown for the Washington’s Birthday celebration. Also along for the ride was our pet beagle, Emily. It being February and as little kids are wont to do, we started complaining about the cold. We sought solace in a cathedral where a recital was going on. Since we had Emily with us, dad snuck her in under his coat and we all slipped up the back stairs to the balcony. A soprano was giving her all to “God Bless America” when Emily decided it was time for her Kate Smith imitation, Beagle style. I must say that even without warming up vocally, Emily could reach the high notes, though her phasing could have used some work. Needless to say we made a hasty retreat. That was the end of Emily’s singing career, at least for an audience.
While I had this handsome canine in house, I availed myself of his modeling services. I was cautioned by the girls that he was desperately in need of a haircut. So here is Thor. You may see him backstage at the Met someday, waiting patiently for his mistress(es) to return from the limelight.
October 15, 2008
"Piper's Work of Art"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
Oh My God! I know what you're thinking - "Mark has sunk to painting puppies and kittens!" What's next - Dogs playing poker? This is no mere puppy. He is the offspring of Champion Piper's Will Power and Piper's Felony Indictment. His formal name is Piper's Work of Art though his friends call him Artie for short, and short he is, being about six weeks old. You can watch him grow into the Champion he is sure to become at http://piperspuppies4u.com/
October 8, 2008
"Piper's Felony Indictment"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
Do you remember when you were in elementary school and you were out sick with the measles for a week? You hated going back to class because you would be behind all the other kids and would have to catch up with the lessons. The measles were not much fun but it was cool having your own private mini vacation. I sometimes look at vacations like that. They may be enjoyable, but the dreaded "cold start" awaits me in the studio. I toyed with the idea of simplifying the blanket in this piece but I kind of like the wild animal aspect of it and the fluidity of dog and pattern. Felony is another of Anne Stark's champion whippets.
September 30, 2008
"Caymus"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I was going to call this "Four aces and his stop" but C.M. Coolidge beat me to it. This guy looks like he might be holding a royal flush from the look on his face. This is one of the "calling all dogs" reference. Thanks, Pegi Sue for the model and thanks everyone who sent me the fun images to play with. You will see more in the weeks to come.
September 10, 2008
"Whippet Portrait"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I used Will as a model a few months ago and I was fascinated by the variety of hues in his fur. The subtle pinks and blues in the shadows begged for more exploration. Also, the other piece was painted on linen mounted on a birch-wood panel. While I enjoyed that painting, the use of gessobord allowed the brushwork to be more pronounced. Tightening up the composition also changed the attitude of the painting by focusing on his lovely profile instead of his long, slender legs. I'm not sure which I prefer. To help you decide for yourself, here is a link to the May 2008 iteration of Piper's Will Power.
Will (a.k.a Ch. Piper's Will Power) and his progeny and canine cohorts can be seen at www.piperspuppies4u.com
September 4, 2008
"Izzie"
Another small study of Izzie, the Pembrook Welsh Corgi. Dear Izzie was involved in a altercation with a neighborhood brute and came out on the short end. Plastic surgery was required to restore her nose to its original beauty. Like Violetta in La Traviata, she will always have this portrait to reflect on her past glory, although I am told her schnoz has healed nicely.
August 30, 2008
"Mimi"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
This sweet Bearded Collie belongs to my friend Diane. Mimi was a rescue dog who now lives with her two brothers, both Standard Poodles. There is no question who is the leader of the pack and that's Mme. Mimi. I caught her just before she struck a less ladylike pose that begged for a tummy rub.
When I think of Mimi, I think of the tragic heroine of my favorite opera; Puccini's La Boheme:
Mi chiamano Mimì,
ma il mio nome è Lucia.
La storia mia
è breve. A tela o a seta
ricamo in casa e fuori...
Son tranquilla e lieta
ed è mio svago
far gigli e rose.
Mi piaccion quelle cose
che han sì dolce malìa,
che parlano d'amor, di primavere,
di sogni e di chimere,
quelle cose che han nome poesia...
Mi chiamano Mimì,
il perché non so.
Sola, mi fo
il pranzo da me stessa.
Non vado sempre a messa,
ma prego assai il Signore.
Vivo sola, soletta
là in una bianca cameretta:
guardo sui tetti e in cielo;
ma quando vien lo sgelo
il primo sole è mio
il primo bacio dell'aprile è mio!
Germoglia in un vaso una rosa...
Foglia a foglia la spio!
Cosi gentile
il profumo d'un fiore!
Ma i fior ch'io faccio, ahimè! non hanno odore.
Altro di me non le saprei narrare.
Sono la sua vicina
che la vien fuori d'ora a importunare.
They call me Mimi,
but my real name's Lucia.
My story is brief.
I embroider silk and satin
at home or outside.
I'm tranquil and happy,
and my pastime
is making lilies and roses.
I love all things
that have gentle magic,
that talk of love, of spring,
that talk of dreams and fancies -
the things called poetry ...
They call me Mimi –
I don't know why.
I live all by myself
and I eat all alone.
I don't often go to church,
but I like to pray.
I stay all alone
In my tiny white room,
I look at the roofs and the sky.
But when spring comes
the sun's first rays are mine.
April's first kiss is mine, is mine!
The sun's first rays are mine!
A rose blossoms in my vase,
I breathe its perfume, petal by petal.
So sweet is the flower's perfume.
But the flowers I make, alas,
The flowers I make, alas,
alas, have no scent.
What else can I say?
I'm your neighbour, disturbing you
at this impossible hour.
August 6, 2008
"Foxhounds"

Not a sound from the pavement
Has the moon lost her memory
She is smiling alone
In the lamplight
The withered leaves collect at my feet
And the wind begins to moan
Memory
All alone in the moonlight
I can dream of the old days
Life was beautiful then
I remember the time I knew what happiness was
Let the memory live again
Every street lamp seems to beat
A fatalistic warning
Someone mutters and the street lamp sputters
And soon it will be morning
Daylight
I must wait for the sunrise
I must think of a new life
And I mustn't give in
When the dawn comes
Tonight will be a memory too
And a new day will begin
Burnt out ends of smoky days
The stale cold smell of morning
A street lamp dies, another night is over
Another day is dawning
Touch me,
It's so easy to leave me
All alone with the memory
Of my days in the sun
If you touch me,
You'll understand what happiness is
Look, a new day has begun...
work in progress - "Foxhounds"
In keeping with the dog days of summer, I have started this painting of a group of fox hounds waiting to be blessed on Thanksgiving morning in Glyndon, Maryland. Here is a rare glimpse of my working process. I am going to try and freeze my palette to preserve my mixed pigments. Look for the finished painting here tomorrow.
August 5, 2008
"Let sleeping dogs lie"

Oil on linen mounted on birch wood panel - 8” x 10”
What is it about a patch of sunlight that draws an animal to it like moths to a flame? My cats JJ and Anna live for these hot spots. On any sunny morning, the competition to see who gets to sit in the chair by the east window in the kitchen begins, each cat vying for that precious patch of solar real estate. My studio faces due north, so there is no direct sunlight, much to their dismay. When we were looking to buy our first house years ago, the realtor would remark about the wonderful sunlit room that would make the perfect studio. Perfect for getting a tan, perhaps. The reason north light is great for painting is that it is cool, constant and indirect. That beacon of bright sunlight is not a welcome guest in the studio, reflecting its warmth off the oak floor and onto my canvas. My studio has two huge north facing windows and skylights which are a wonderful source of illumination. However, two oval windows, high on the east and west walls, alert me to brave Helios' presence. The west window I can easily close off by going into the loft and covering it with a makeshift cardboard disk. The East window is more of a challenge. Closing this aperture requires a long telescoping pole and some dexterity to place the disk just right.
The Wiktionary (sorry Daniel Webster) describes the expression "Let sleeping dogs lie" as thus - To leave things as they are; especially, to avoid restarting an old argument; to leave disagreements in the past. - Eventually, they decided to let sleeping dogs lie and not discuss the matter any further. I have found this to be sound advice in matters domestique.
These sleepy-heads belong to my friend Anne. In case you are interested, she tells me she has two new litters waiting in the wings. You can see them at: www.piperspuppies4u.com



