
This piece has been knocking around the studio for quite a while. Intrigued by Alphonse Mucha's use of heavy delineation to flatten the figure, I decided to see if I could update it with the help of my Ultra Classic Harley-Davidson and my model Stephanie. The painting was quite a departure for a staunch realist like me. It is certainly unique. That 1997 wine berry and charcoal paint scheme on the bike was a knockout. I learned, too, that I am way too lazy to own a bike with white walled tires.