November 24, 2008
Tag - you're it!
November 20, 2008
"Max"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
I've never painted a Cornish Rex before today. The coat of a Cornish Rex is curly and extremely fine. It's more like down than fur. Indeed, Max here would get hypothermia on a day like today if he was allowed outside. Not unlike JJ, Max has found a recently closed laptop to perch on. He lives with my friend George and his antics are legend. In case you were wondering what is in the background of this piece; it is huge glass bell dome covering a stuffed crane atop an ornate carved chinese stand.
As I am typing this, some drama was happening just outside. I had given Piper and the kids a bowl of kitten chow about 10 minutes ago and when I looked out, a very large raccoon was woofing down their food. They were cowering in their cooler/cathouse. I chased off Rory and checked on the gang. Everybody was OK, thank goodness. I still don't have the heart to separate Piper from her children. I am working on gaining there confidence.
It felt good to be back at the easel today.
November 18, 2008
Art - A seeing and feeling process
November 13, 2008
They're Baaack - and I'm gone









November 10, 2008
"Kittens in a wall"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
Maybe it's the little guys frolicking just outside the studio that made me want to paint this piece. I have been spending way too much time watching the "rat pack" as we call them. Sammy, Dino and Shirley are destined to make the move into the studio before the snow flies. I made a make-shift house by cutting a 8" x 8" hole in front of an old igloo cooler and put a heated dog bed in it, which they have taken to, so I am slightly less worried about them being cold. Piper is still a hissy little bitch but the kids are starting to think the big pink monster is O.K.
These little kittens looked at first like they were stuck in the wall of my friends barn, but I was assured that they could come and go with no problem and that they felt safe in their nest. Having a farm can be a challenge. People seem to think they can dump kittens off with impunity. After all, everybody knows you can't have too many barn cats. At last count my friend has 50 some outside cats and 16 inside. She is more of a bleeding heart than I am, God bless her.
November 6, 2008
"Toasted Marshmallow"

Oil on museum quality, archival ampersand gessobord™ panel - 5” x 5”

October 26, 2008
Heading South
October 23, 2008
"Oyster Shell with Lemons"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I threw my back out yesterday, which put the "pain" in painting. I stand while I work and every time I twisted from my easel to my palette, which is on a converted music stand, it was electrifying. I guess being 55 is starting to take its toll. I may try and paint something simple today and hold the palette in my hand. I am riding my Harley on a 1200 mile ride down to the Florida Keys, leaving Sunday, so I want to baby my back until then. To that end, there will be no new daily paintings from 10-25 thru 11-5. "Please don't talk about me when I'm gone." On second thought, talk all you want. It is better to be looked over, than overlooked.
October 20, 2008
"Llama"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I recently attended a party at the farm of some friends. They have quite a varied menagerie; llamas, a kangaroo, a wallaroo, goats, sheep, chickens, a pig and cats, lots and lots of cats. I had never been face to face with a live llama. My introduction to them was from Dr. Dolittle's Pushme-Pullyu, so you can image my surprise at seeing that they only had one head. I also expected them to spit like camels, but one gave my friend Tom a kiss without so much as a little drool. I was impressed with these sweet creatures.
This just in: I got an e-mail this morning from my friend Marsharee who tells me I have painted "motley blue". Llamas put their ears back at half mast like that when being a bit cautious and first meeting someone new, so this is his "hmmm, let me see what I think of you" face and ears.
October 19, 2008
"Thor"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 10”
Last weekend two dear friends, Laura and Miriam, were staying at the studio. Both girls are aspiring opera singers living in New York. They asked me if it would be OK for them to bring their Miniature Schnauzer, Thor, with them. Hitherto my cats JJ and Anna had never had a canine houseguest, so I was naturally apprehensive but acquiesced. My fears, it turned out, were groundless. Thor, who lives in harmony, or at least detente, with a cat in the Big Apple, was not interested in my guys and JJ and Anna spent most of the weekend upstairs on the bed keeping a prudent distance. They never really met nose to nose, so I still don’t know what my guys think about dogs. At least they weren’t freaked out. They were more nervous about Laura’s morning vocal warm up exercises, which Thor is quite accustomed to. Not so with my childhood dog Emily. My father was a proud member of the American Legion and one chilly Sunday he took my sisters and me downtown for the Washington’s Birthday celebration. Also along for the ride was our pet beagle, Emily. It being February and as little kids are wont to do, we started complaining about the cold. We sought solace in a cathedral where a recital was going on. Since we had Emily with us, dad snuck her in under his coat and we all slipped up the back stairs to the balcony. A soprano was giving her all to “God Bless America” when Emily decided it was time for her Kate Smith imitation, Beagle style. I must say that even without warming up vocally, Emily could reach the high notes, though her phasing could have used some work. Needless to say we made a hasty retreat. That was the end of Emily’s singing career, at least for an audience.
While I had this handsome canine in house, I availed myself of his modeling services. I was cautioned by the girls that he was desperately in need of a haircut. So here is Thor. You may see him backstage at the Met someday, waiting patiently for his mistress(es) to return from the limelight.
October 15, 2008
"Piper's Work of Art"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
Oh My God! I know what you're thinking - "Mark has sunk to painting puppies and kittens!" What's next - Dogs playing poker? This is no mere puppy. He is the offspring of Champion Piper's Will Power and Piper's Felony Indictment. His formal name is Piper's Work of Art though his friends call him Artie for short, and short he is, being about six weeks old. You can watch him grow into the Champion he is sure to become at http://piperspuppies4u.com/
October 13, 2008
JJ Sleeping

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
JJ has the ability to make me laugh even when times are tough. He seems to know instinctively when I'm down and this position always produces a smile. He has been striking this pose since the day we brought him in. This deferential stance is what won Anna over. It says "Hey, I'm not here to cause any trouble, I just really want a tummy rub." Have you ever known a cat to sleep on his back?
October 9, 2008
"Sam"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
This is Sam, or should I say was Sam. Sam died last July 30th at the age of 14-1/2. He was diagnosed with cancer of the mouth when he was 10. His owner was told that half of his jaw needed to be removed but she couldn't do it since the prognosis was that he would only live another 12 months even with the surgery. She ended up taking him to a conventionally trained Cornell vet who practiced homeopathy too. With a simple cryosurgery procedure and Chinese herb treatments, he lived another 4-1/2 years and is now one of very few documented canine cancer successes. It was heart failure that finally took him out. The original reference was of him sitting on a garden bench in the bright sun. I chose to let my inner fashion illustrator come out and gave Sam the Richard Avedon/Irving Penn grey-seamless treatment. His fuzzy free spirit is thus unencumbered by all the extraneous, distracting elements.
October 8, 2008
"Piper's Felony Indictment"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
Do you remember when you were in elementary school and you were out sick with the measles for a week? You hated going back to class because you would be behind all the other kids and would have to catch up with the lessons. The measles were not much fun but it was cool having your own private mini vacation. I sometimes look at vacations like that. They may be enjoyable, but the dreaded "cold start" awaits me in the studio. I toyed with the idea of simplifying the blanket in this piece but I kind of like the wild animal aspect of it and the fluidity of dog and pattern. Felony is another of Anne Stark's champion whippets.
October 1, 2008
a little R&R
September 30, 2008
"Caymus"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I was going to call this "Four aces and his stop" but C.M. Coolidge beat me to it. This guy looks like he might be holding a royal flush from the look on his face. This is one of the "calling all dogs" reference. Thanks, Pegi Sue for the model and thanks everyone who sent me the fun images to play with. You will see more in the weeks to come.
September 29, 2008
"JJ with Flowers"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
This is my first attempt at getting back on the bike. I felt a little shaky but I pushed through. I wasn't going for a masterpiece, just something to build my confidence. Since JJ is my constant companion in the studio, I had but to look back to check my model. This is not a great reproduction of this painting. The flowers have more intensity in real life. It's a start.
September 28, 2008
Fish and Fowl invitation

September 26, 2008
Creative meltdown
September 25, 2008
Calling all Dogs! (and cats)
September 22, 2008
"China"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8"
Here is a better view of my sweet China. Her piercing blue eyes could melt the hardest heart. Non-cat people say that cats are too independent, that they wouldn't give you the time of day. These people never met China. She would come when called, loved to play fetch, would scold you when she felt it was time for bed and if you were sitting down she was in your lap. She was so light you never even felt her jump up, but look down and there she was. Her daughter, Anna, has many of her charming qualities. I thought China might get lost against all these patterns but I think it works. That deep purple and beige ottoman lives in my studio just a few feet behind me while I'm at the easel. If I take too many steps backwards, I go over it like Rob Petrie in the opening credits of the old Dick Van Dyke Show. I'd move it (my studio is 20' x 40') but JJ likes to sit close by while I work. It does keep me from losing my focus. Salvador Dali is said to have nailed a 2x4 on his floor to trip over and bring him back to reality; I have JJ. (I have been moving it ever so slightly towards the window. So far he hasn't noticed)
September 21, 2008
"Young Equestrian"

September 18, 2008
"Oysters,Guinness and lemon"

Oil on museum quality, archival ampersand gessobord™ panel - 5” x 7”
Shiver me timbers! It be September me hearties and that be a month with an Arrrrr. Davy Jones has once again given up some of his treasure from the briny deep. In this case that be the Whale Rock oyster from the Mystic River in Connecticut. Sink me, it's time to splice the mainbrace. Fair winds!
OK, enough with the Captain Jack already! Do we have an accord? (sorry) I was in a funk yesterday and wasn't really in the mood to paint but regrouped later in the day to push around some paint. This piece is little more than a sketch but I like the spontaneity of it. There is something satisfying about scratching your name into wet paint. It is tantamount to carving your name in a tree, perhaps more so. Even the hardiest tree will fall but a work of art will go on. Unless the piece is total dreck, I don't know anyone who throws away art.* It may get passed around or given to the goodwill perhaps, but not thrown in the bin. The world is full of works of art that perchance should be tossed, but like an ugly child, someone will love them. So paint carefully my brothers and sisters. If the world is still around, and you have used good materials, the by product of your creative efforts will be around long after you are gone. There is a reason why they make "student grade" materials - planned obsolescence.
*I went to my 20th high school reunion back in 1990 and ran into a girl with whom I exacted my very first painting transaction. It was a piece I had done in Studio class my senior year of my friend Danny rising from a field of weeds or wildflowers (this was the sixties, baby, and we were letting our freak flag fly.) I was very flattered when this girl (a very attractive girl, I might add. One who I never had the nerve to even talk to) ask if she could buy it. Hitherto, I had not thought about pricing or even selling my work, so her question caught me off guard. "Sure," I stammered, "How about 10 bucks" This was a lot of money in 1969, at least it was to me. She agreed and we made the exchange. When I saw her again at the reunion, I asked about the painting. She informed me that her husband didn't like it and threw it out. Not gave it away, mind you...THREW IT OUT!! So much for my first sale.
September 16, 2008
"China with Kittens"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
I guess the feral kittens outside have reminded me of when my own cat China gave birth to her litter almost eighteen years ago. The last of which, Anna, is on my lap as I type this, with both paws over my left wrist and her head resting demurely on them. This does not help my already poor typing skill, but if I try and extricate my hand, she takes her paw and puts it back where it was. I think she is pleased that I finally got around to painting her, albeit if only one day old. As China got close to delivering, we made her a nesting box and placed a yellow towel on the bottom. Here, exhausted after a long night in labor, she settles in with her new family. The next night she decided we all should sleep together and one by one placed them on our bed. Fearing to crush the kittens in our sleep, we tried to persuade her keep them in the nesting box, to no avail. In the end, we made an island of pillows on the middle of the bed and there the seven of us slept for the next 8 weeks. It was one of the happiest times of my life. China, too, lost her battle with cancer three years ago, which was one of the saddest.
September 15, 2008
"Piper the calico kitten"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
A few weeks ago a little white cat showed up in the area we call the bird berm, a lush oasis for our avian friends to eat and bath and hang out together. In order to keep the peace and prevent this from becoming the cat feeding station, if you catch my drift, we put out some food for the cat, who looked to be quite pregnant. We convince her that free canned cat food served on the other side of the house, on our patio, was a better option than having to hunt for her meals. She soon became a regular diner at "The Cats Meow" patio restaurant. Word got around and soon we had another regular, a calico with white paws. We had named the white cat Bristol, after a certain Alaskan Governor's daughter, so it made sense to name her Piper, after her sister. Three days ago up pops 4 or 5 kittens and we still don't know whose they are. There is a totally black one, a calico. a white with spots and a tabby. They appear to be about 4 weeks old. I looked out the window this morning and piper was cuddled up with one of the kittens so perhaps they are hers. In any case, we are going through about 8 cans of food a day between our cats Anna and JJ and this new pride. Piper and I had a break-thru today; she has claimed me by rubbing, rubbing, rubbing my legs when I feed her. Sadly we didn't find the kittens early enough to tame them and they are quite the scaredy- cats. This is Piper on the blue stone patio.
September 13, 2008
"Habaneros and jalapeños" - Altered states

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
I woke up this morning at 5:30 to feed the cats (their choice to break fast at dawn, not mine) and went over to the computer to check the blog. "How nice," I thought, "I already have a comment." It was more critique than comment, basically saying, in so many words, that the painting was not up to my usual standards. Hitherto, I had never had more than an improper rude comment about my nudes and here it was, staring out at me, what I considered the Internet equivalent of my wife saying, "Surely you aren't going to leave it like that." Early this week, I read a letter from a fellow artist on the Daily Painters site asking what to do about bad comments. Most people said to delete and ignore them. Her bad comment was, "Oh dear, please, spare us." Not the kind of remark that sends you running back into the studio to create. This guy's comment was more a helpful criticism. That early in the morning I was in no mood to see negative stuff about a work that I hadn't even seen since signing it at midnight, so I promptly deleted it. I immediately regretted doing so. Happily, my mail saves a copy and since he posted it on my comments page with his link, here is what he said: "I think your work not present well yet (especially the character of red peppers, the green ones are really good). It so different if I compare with other your work( Red and Yellow Peppers ). overall your works totally awesome, sorry if my english is not good and sarcastic, coz I can speak well in english.... thank you." Oddly enough, his comment was right on. I, too, felt that the habaneros were too red when I stopped the painting. Artists know a painting is never finished, merely stopped at a given time. Choosing the right time to stop is crucial. I spent an hour this morning bring this to a more satisfying stopping spot. In retrospect, his comment was quite flattering. Thank you, Febru.
September 10, 2008
"Whippet Portrait"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I used Will as a model a few months ago and I was fascinated by the variety of hues in his fur. The subtle pinks and blues in the shadows begged for more exploration. Also, the other piece was painted on linen mounted on a birch-wood panel. While I enjoyed that painting, the use of gessobord allowed the brushwork to be more pronounced. Tightening up the composition also changed the attitude of the painting by focusing on his lovely profile instead of his long, slender legs. I'm not sure which I prefer. To help you decide for yourself, here is a link to the May 2008 iteration of Piper's Will Power.
Will (a.k.a Ch. Piper's Will Power) and his progeny and canine cohorts can be seen at www.piperspuppies4u.com
September 8, 2008
"Radishes" - What's the madder?

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
What's the Madder? I am talking about rose madder lake, a very expensive, crimson-like pigment, which I have in my paint box but never seem to have had an opportunity to put on my palette (until now). I was at the market on Saturday and these radishes called out to me. "Paint me, paint me!" they shouted. Radishes don't always agree with me, nor I them, but this time they were making sense. Wegman's has an automatic misting device in their produce department, and, as if on queue, the spray nozzles came to life and applied a dazzling sheen to these guys that intensified their color and sealed the deal. If I needed another reason, other than the classic, Christmasy goodness of the color scheme, the tips of this vegetable, just before going white, are a distinctive rose madder hue. I had to have them, if only to pull out that dusty tube and give it a little squeeze. Why did I buy the pigment in the first place? I had heard of its beauty and during a half-off sale at my local art emporium, dropped a tube in my basket. This place marks their prices in code - pigment such and such is "Code A", another "Code B" and so on. When I got to the counter, I found out what "Code E" was. Even half off, the small tube of pigment was $35.00. What the hell, I bought it anyway, and there it has sat until now. I could have faked it with alizarin crimson, but why?
From Horse Feathers:
Student: Oh, Professor, you're full of whimsy.
Professor Wagstaff: Can you notice it from there? I'm always that way after I eat radishes.
September 7, 2008
"Lobster on Ice"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I meant for these lobster paintings to be a "before and after" set but oops, I sold the other one already. I am going to hold this one back for the Ice House show in October. I had fun scumbling in the barnacles and craggy spines and, of course, ice is always fun to paint.
September 4, 2008
"Izzie"
Another small study of Izzie, the Pembrook Welsh Corgi. Dear Izzie was involved in a altercation with a neighborhood brute and came out on the short end. Plastic surgery was required to restore her nose to its original beauty. Like Violetta in La Traviata, she will always have this portrait to reflect on her past glory, although I am told her schnoz has healed nicely.
September 3, 2008
"Newport Lobster"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
My first job, years ago, was a crab steamer in Baltimore. I was in my teens and although I enjoyed the independence that those first meager paychecks brought, I was not comfortable sending thousands of crabs to their death every night when I opened that steam valve. I resigned myself to my place on the food chain and took comfort in the thought that they gave themselves to a greater good. However, my heart wasn't in it and soon, when an opening came up, a found myself in the kitchen as a short order cook and my love of food and cooking began.
I was in Newport, Rhode Island last week and met two of these guys up close and personal. Thankfully they steamed them on the dock for us. Even with my notorious past with crustaceans, I don't have the heart to plunge one of these guys into boiling water. That said, they were delicious.
September 1, 2008
"JJ on the sofa"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
With Cats, some say, one rule is true:
Don't speak till you are spoken to.
Myself, I do not hold with that -
I say, you should ad-dress a Cat.
But always keep in mind that he
Resents familiarity.
I bow, and taking off my hat,
Ad-dress him in this form: O CAT!
But if he is the Cat next door,
Whom I have often met before
(He comes to see me in my flat)
I greet him with an OOPSA CAT!
I've heard them call him James Buz-James -
But we've not got so far as names.
Before a Cat will condescend
To treat you as a trusted friend,
Some little token of esteem
Is needed, like a dish of cream;
And you might now and then supply
Some caviare, or Strassburg Pie,
Some potted grouse, or salmon paste -
He's sure to have his personal taste.
(I know a Cat, who makes a habit
Of eating nothing else but rabbit,
And when he's finished, licks his paws
So's not to waste the onion sauce.)
A Cat's entitled to expect
These evidences of respect.
And so in time you reach your aim,
And finally call him by his NAME.
T.S.Eliot
That name would be JJ.
August 30, 2008
"Mimi"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
This sweet Bearded Collie belongs to my friend Diane. Mimi was a rescue dog who now lives with her two brothers, both Standard Poodles. There is no question who is the leader of the pack and that's Mme. Mimi. I caught her just before she struck a less ladylike pose that begged for a tummy rub.
When I think of Mimi, I think of the tragic heroine of my favorite opera; Puccini's La Boheme:
Mi chiamano Mimì,
ma il mio nome è Lucia.
La storia mia
è breve. A tela o a seta
ricamo in casa e fuori...
Son tranquilla e lieta
ed è mio svago
far gigli e rose.
Mi piaccion quelle cose
che han sì dolce malìa,
che parlano d'amor, di primavere,
di sogni e di chimere,
quelle cose che han nome poesia...
Mi chiamano Mimì,
il perché non so.
Sola, mi fo
il pranzo da me stessa.
Non vado sempre a messa,
ma prego assai il Signore.
Vivo sola, soletta
lĂ in una bianca cameretta:
guardo sui tetti e in cielo;
ma quando vien lo sgelo
il primo sole è mio
il primo bacio dell'aprile è mio!
Germoglia in un vaso una rosa...
Foglia a foglia la spio!
Cosi gentile
il profumo d'un fiore!
Ma i fior ch'io faccio, ahimè! non hanno odore.
Altro di me non le saprei narrare.
Sono la sua vicina
che la vien fuori d'ora a importunare.
They call me Mimi,
but my real name's Lucia.
My story is brief.
I embroider silk and satin
at home or outside.
I'm tranquil and happy,
and my pastime
is making lilies and roses.
I love all things
that have gentle magic,
that talk of love, of spring,
that talk of dreams and fancies -
the things called poetry ...
They call me Mimi –
I don't know why.
I live all by myself
and I eat all alone.
I don't often go to church,
but I like to pray.
I stay all alone
In my tiny white room,
I look at the roofs and the sky.
But when spring comes
the sun's first rays are mine.
April's first kiss is mine, is mine!
The sun's first rays are mine!
A rose blossoms in my vase,
I breathe its perfume, petal by petal.
So sweet is the flower's perfume.
But the flowers I make, alas,
The flowers I make, alas,
alas, have no scent.
What else can I say?
I'm your neighbour, disturbing you
at this impossible hour.
August 26, 2008
"Urinal"

Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
OK, so I lied. Perhaps it doesn't have to be an animate subject to have fun with the light and paint. While I was in "chrome" mode I thought I would experiment with some loose paint and a piece of iconic porcelain. No Dadaist I, but I figured if it was good enough for Marcel Duchamp last century with his readymade "Fountain," why not have a go (no pun intended) and reprise it here. This particular plumbing fixture resides in the mens room of the Dogwood Gourmet in Baltimore. Elegant marble tile, rose tones and dramatic lighting raise the lowly pissoir to new heights, creating a theatrical aquatic display.
I'll be out of the studio for a couple of days. Look for new work on Saturday.
August 25, 2008
"Harley-Davidson"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 10”
So much for taking it easy after my operation. The painting you see here may prove to be what is known in artistic parlance, as a "unique" - a unicorn, dodo bird, an Ivory-billed woodpecker, the last of its kind. I don't know what possessed me to undertake such a painting other than my love of motorcycles and needing to ramp up the wow factor after my being away from the easel. Do I like this painting? Most definitely. Would I do another one? I'm not sure. Although I am delighted with the finished product, the application of paint was tedious; observe, mix, dab, repeat. No subtle glazes and bravado brushwork, merely precise placement of just the right color. Wearing an opti-visor and using 1/8th inch filberts and a lining brush is really not my thing. I am and have always been about the creative process, not necessarily the final product. If the process is good the resulting product will follow suit. Perhaps that is why I like painting people and animals. There is room for the brush to interpret. Maybe painting inanimate objects isn't in me. I have always been a figure and portrait painter. I like my work looking back at me as I go along. OK, maybe oysters don't exactly gaze out of the canvas, but you get my drift. So enjoy the Harley. Which is all I can do with my own Harley - look at it, as I am not allowed to lift it off the side stand for another 4 weeks. I couldn't have had my appendix out in the dead of winter.


