Oil on museum quality ampersand gessobord panel 8" x 8"November 17, 2009
"Bridgett"
Oil on museum quality ampersand gessobord panel 8" x 8"Labels: animal portrait, cats, humane society, rescue kitten
Posted by
Mark Adams
at
2:07 AM
19
comments
November 10, 2009
"Ella with Hydrangeas"
Oil on museum quality ampersand gessobord panel 8" x 10"Labels: animal portrait, Cat, curious cat, flowers, rat pack
Posted by
Mark Adams
at
1:00 AM
18
comments
November 4, 2009
"Schatzi"
"I'm baaack" Yes I finally put brush to panel for the first time in the new studio. I couldn't find my maul stick, paint rags, turpentine, and miscellaneous other painting accouterments but I managed to get something on the easel. Schatzi is my friend Beth's wire haired dachshund. She's a real schweetie and reminds me of Alfalfa from the little rascals with her cute cowlick (Schatzi, not Beth). Hey, it's a start.
Labels: animal portrait, dachshund, dogs
Posted by
Mark Adams
at
12:56 AM
28
comments
September 26, 2009
Still in Limbo
Just a quick update -
Still digging out. I don't have internet access yet so I am not able to keep up with e-mail and such. I am finding wi-fi where I can and checking in now and again. Hopefully things will calm down in a week or two.
Posted by
Mark Adams
at
1:57 PM
5
comments
September 13, 2009
Drum roll please!
Here is the new house. The landscaping is still a work in progress but the house is 99 percent finished. Thanks to all who haven't given up on checking in. New art is just around the corner.
Here is the new studio:
Posted by
Mark Adams
at
7:06 PM
15
comments
August 24, 2009
Move update - (ndp)
Just in case you need visual proof that I am indeed in the throws of moving, here is a shot of what was the studio. JJ and the kids are having a ball playing in the habitrail that is now my home. We move out on Thursday and Friday. Unpacking will be just as laborious so don't get your hopes up for any new work just yet.
Posted by
Mark Adams
at
8:53 PM
12
comments
July 16, 2009
"Sprocket"
Labels: American Bulldog, animal portrait, dog
Posted by
Mark Adams
at
1:35 AM
21
comments
July 6, 2009
Please Stand By... (ndp)

As predicted, packing and moving is taking its toll on my creative output. Right now the studio is in shambles. I have kept out the bare essentials for painting, just in case I can summon up the mindset and time to lay brush to canvas but I fear that may be a pipe dream for the next month or so. Its a pity, too, because I just saw a wonderful exhibit; “Luis Meléndez: Master of the Spanish Still Life" at the National Gallery in Washington and came home full of inspiration. If you live in the area, you should try and see this show. The man really knew his onions! His elements were few and oft repeated in varying compositions rendering glass, copper pots, bread, and a plethora of fruits and vegetables with amazing skill. I was impressed.
Posted by
Mark Adams
at
9:26 AM
13
comments
June 26, 2009
"Fabulous 5"
Oil on museum quality ampersand gessobord panel 8" x 8"Thanks for the amusing reference, Anne.
You may ask why the blue eyes? The original reference of these pups was most assuredly made with a flash which reflected back as blue. I toyed with the idea of making the retinas black but I liked the cobalt accents dancing around the panel. I think it livens up the painting.
Labels: animal portrait, dachshund, dog, puppies
Posted by
Mark Adams
at
1:33 AM
21
comments
June 18, 2009
"Paris Carousel"
Labels: amusement park, carousel, horse, Paris
Posted by
Mark Adams
at
12:48 AM
25
comments
June 10, 2009
JJ - "bunny pose"
Oil on museum quality ampersand gessobord panel 6" x 8"Labels: animal portrait, Cat
Posted by
Mark Adams
at
11:39 PM
36
comments
May 29, 2009
"Recharging my creative batteries"
I am heading out on my annual pilgrimage to Lake George, New York for the Americade rally. As some of you know, my other passion is motorcycling and I look forward to this event like a little kid anticipates Christmas. Billed as the largest touring rally in the United States, it has much to ofter - great roads, old friends, demo rides from almost every manufacturer and the largest collection of touring rider vendors assembled in one place called the tour expo. If you ride and have not gone to Americade you are missing a good time. It doesn't get any better than riding through the Adirondacks and the Finger Lakes. I will be gone for a week so there will be no new paintings posted for a while. I am having some doubts about the intense red of yesterdays painting and may tone it down with a glaze when I return. Let me know it you concur with this observation.
Posted by
Mark Adams
at
10:24 AM
7
comments
May 28, 2009
"German Shepherd"
Labels: animal portrait, dog, Eastern German Shepherd
Posted by
Mark Adams
at
12:25 AM
14
comments
May 19, 2009
"Mac"
Oil on museum quality ampersand gessobord panel 6" x 8"Labels: animal portrait, dog, toy poodle
Posted by
Mark Adams
at
1:13 AM
9
comments
May 14, 2009
"Sisters"
Oil on museum quality ampersand gessobord panel 6" x 8"Labels: feral cats, kittens. calico, rescue, sisters
Posted by
Mark Adams
at
2:55 AM
18
comments
May 11, 2009
May 7, 2009
"Holly and Jonahven"
Oil on museum quality ampersand gessobord panel - 6" x 8"The first Wednesday of the month the Daily painters group that I belong to has a theme challenge. This month it was "Celebrating Mom" in honor of Mother's Day. The work was supposed to be posted yesterday but I had other fish to fry so here it is, better late than never. My granddaughters attend the "Willow Wind" school which had a May Day celebration complete with May pole and floral wreathes. Quite apropos, given the populace. This is a painting of my daughter Holly and with her new little boy. Perhaps I've seen the Lord of the Rings too many times as there is an elfish quality about them, which is rather fitting, seeing as Holly's middle name is Lórien. Oops, my early hippy roots are showing.
Labels: baby, daughter, elves, grandson, mother and child
Posted by
Mark Adams
at
1:40 AM
23
comments
April 23, 2009
"Blue"
Oil on museum quality ampersand gessobord panel - 8" x 10"Labels: Australian Shepherd, dogs
Posted by
Mark Adams
at
12:33 AM
6
comments
April 15, 2009
"Bigger Big"
Oil on museum quality ampersand gessobord panel 8" x 8"BTW - I didn't say which Wednesday, did I?
Labels: animal portrait, brindle, dog, Great Dane, rescue
Posted by
Mark Adams
at
11:19 PM
20
comments
April 2, 2009
Out of the Studio
I'm headed down to New Orleans for a few days. Look for new work on Wednesday.
Laissez les bons temps rouler!
Posted by
Mark Adams
at
2:37 PM
2
comments
March 31, 2009
"Out of the Box"
Oil on museum quality ampersand gessobord panel 6" x 6"Labels: beach, ocean, Ocean City, seagull
Posted by
Mark Adams
at
11:36 PM
18
comments
"Rufus in the garden"
Oil on museum quality ampersand gessobord panel 6" x 6"Labels: animal portrait, dog, Staffordshire Bull Terrier
Posted by
Mark Adams
at
1:21 AM
10
comments
March 25, 2009
"Roscoe"
Oil on museum quality ampersand gessobord panel 6" x 6"Labels: animal portrait, Cat, Maine Coon?
Posted by
Mark Adams
at
2:17 AM
18
comments
March 23, 2009
"Blessed are the cheese makers"
Oil on museum quality ampersand gessobord panel 6" x 8"March 18, 2009
"Anna" - R.I.P.
Labels: animal portrait, cats, Siamese
Posted by
Mark Adams
at
10:41 PM
29
comments
March 11, 2009
"Art Nouveau Harley-Davidson"
Oil on Canvas 27 1/2" x 42"Labels: Harley Davidson, motorcycle., nude, Ultra Classic
Posted by
Mark Adams
at
12:44 AM
8
comments
March 9, 2009
"Chloe"
Oil on museum quality ampersand gessobord panel 6" x 8"Labels: animal portrait, dog, Jack Russell, sweetie
Posted by
Mark Adams
at
11:11 PM
12
comments
March 4, 2009
"Lochi"
This little guy is named Lochi or is it Lockie? It is short for "Low Key."
How he would spell it is anyone's guess:
It isn't just one of your holiday games
You may think at first I'm mad as a hatter
When I tell you a cat must have three different names
First of all, there's the name that the family use daily
Such as Peter, Augustus, Alonzo or James
Such as Victor or Jonathan, George or Bill Bailey
All of them are sensible, everyday names
But I tell you a cat needs a name that's particular
A name that's peculiar and more dignified
Else how can he keep up his tail perpendicular?
Or spread out his whiskers or cherish his pride?
Of names of this kind, I can give you a quorum
Such as Munkustrap, Quaxo or Coricopat
Such as Bombalurina, or else Jellylorum
Names that never belong to more than one cat
But above and beyond there's still one name left over
And that is the name that you will never guess
The name that no human research can discover
But the cat himself knows and will never confess
When you notice a cat in profound meditation
The reason, I tell you, is always the same
His mind is engaged in rapt contemplation
Of the thought, of the thought, of the thought of his name
His ineffable, effable, effanineffable
Deep and inscrutable singular name
Name, name, name, name, name, name
T.S. Elliott
Labels: animal portrait, Cat
Posted by
Mark Adams
at
9:48 PM
7
comments
"Vodka Martini with Three Olives"
Oil on museum quality ampersand gessobord panel 6" x 8"Labels: Dogwood Gourmet, martini, reflections, spirits
Posted by
Mark Adams
at
1:30 AM
4
comments
February 24, 2009
"Crustaceans"
Oil on museum quality ampersand gessobord panel 8" x 8"Labels: crabs, crustacean, France, lobsters, seafood, still life
Posted by
Mark Adams
at
11:50 PM
8
comments
February 23, 2009
"Olive and Friend"
Oil on museum quality ampersand gessobord panel 8" x 8"Have you ever wondered why some words are invariably coupled with a particular qualifying adjective? For instance, have you ever heard pride described as anything but foolish? It's always "foolish pride." Olive drab is another. Why are olives drab, I ask you? I painted this painting of Anne Stark's Whippet, Olive, to prove not only is this Olive not drab, but she is quite vibrant. Well OK, perhaps her companion is the vibrant one but I say guilt by association. All that pink reflects well on her.
Labels: animal portrait, dogs, whippets
Posted by
Mark Adams
at
1:44 AM
13
comments
February 19, 2009
"RibN"
Oil on museum quality ampersand gessobord panel 6" x 6"My mother was a product of German immigrants. She was what you might call a "disinterested" cook. Her limited culinary bag of tricks was distinctly 50's - no herbs, no spices (except Adolf's meat tenderizer, S&P (not freshly ground pepper- Heaven forbid!), maybe some dried oregano to throw in the spaghetti, canned vegetables, and then cook the hell out of everything (sorry Mom). Although her father was a professional pastry chef, I'm afraid the apple fell very far from that tree. To be fair, my mother was a diabetic and an ex model and actress, so I guess food wasn't high on her list of priorities. Thankfully for me, my boyhood friend Keith's parents allowed me to tag along when they went to Hausner's. My palate, dulled by years of bland cooking, was desperate for new experiences. Imagine a 14 year old boy tucking into his first plate of hasenpfeffer...Yum!! Did I mention that Hausner's was known for their strawberry shortcake?
Labels: animal portrait, Australian Shepherd, dog
Posted by
Mark Adams
at
12:05 AM
17
comments
February 18, 2009
"The red coats are coming!"
Labels: blessing of the hounds, equestrian, fox hunting
Posted by
Mark Adams
at
1:18 AM
6
comments
February 12, 2009
"Three Foxhounds"
Labels: animal portrait, blessing of the hounds, dogs, fox hounds
Posted by
Mark Adams
at
1:48 AM
17
comments
February 9, 2009
February 5, 2009
"We're all in this together"
Oil on museum quality ampersand gessobord panel 6" x 8"Labels: fish, French market, Holy Mackerel
Posted by
Mark Adams
at
11:07 PM
8
comments
February 3, 2009
"Eat Bertha's Mussels"
Labels: Bertha's mussels, seafood
Posted by
Mark Adams
at
11:56 PM
9
comments
January 27, 2009
"Dino"
Labels: cats, feral kitten, The rat pack
Posted by
Mark Adams
at
9:58 PM
18
comments
January 26, 2009
Stage Makeup
Labels: mime, theatre, white face
Posted by
Mark Adams
at
7:38 PM
11
comments
January 23, 2009
"Two horses with braided manes"
One of the most challenging things about recording the pageantry of the Blessing of the hunt held every Thanksgiving in Gyndon, Maryland is the intermingling of the hoi polloi and the hoity toity. The bucolic landscape of the valley is littered with petters in sweaters, mothers with strollers, teens with their iPods and photogs with tripods. Trying to get a clean shot is nearly impossible. Thankfully, as a painter, I can often just edit them out in the composition. While it might have been nice to include the quaint St. John's Episcopal Church in the background, there was something pleasing about the simplicity of this painting. The focus is on the magnificent beasts and the intricate harnesses and not the scene wherein they play in. I chose to use a simple blue into green gradient although not without trepidation. I had a back-of-my-mind fear that it may come off looking like the colored tissue paper that folks in the 50's put over their black and white TVs to simulate color; blue for the sky, red for the people and green for the grass. My fears turned out to be groundless, no pun intended, and the gambit paid off. The tack and harnesses proved to be much more labor intensive than I first imagined, but I always look at my reference and think I can lay it down in an hour and 6 hours later I am still pushing paint around. I may have to paint some fruit or oysters tomorrow just to prove to myself that I can paint a sketchy painting.
Labels: blessing of the hounds, equestrian, horses
Posted by
Mark Adams
at
11:52 PM
12
comments
January 21, 2009
"Cleo"
I am posting this late tonight and hope to write a bit more tomorrow afternoon. This is Cleopatra, a long haired Eastern German Shepherd. She was 13 weeks when she posed for this painting. Sorry about the huge file. I lost photoshop when I lost my computer and can't figure out how to resize things in lightroom.
Labels: animal portrait, dogs, Eastern German Shepherd
Posted by
Mark Adams
at
2:21 AM
20
comments
January 14, 2009
"Dabo"
Labels: bird, Parrot. avian portrait
Posted by
Mark Adams
at
9:34 PM
4
comments
January 13, 2009
"Monet in a cable knit sweater"
Labels: animal portrait, dogs, whippet
Posted by
Mark Adams
at
1:22 AM
12
comments
January 8, 2009
Strange request (ndp)

An artist friend of mine made a strange request the other day. He said "Mark, I tried to paint a painting of my daughter's dogs and it didn't turn out well. I know you paint dogs. Do you think you could touch this up?" I, of course, was flattered but had never over-painted someone else's work before. I said I would see what I could do. It had quite a thick impasto of white on the panel which had to be removed before I could proceed. The original reference was of Kate, Emmie and Bandit laying on a white fur rug, which was probably taken at a Petsmart or some such place. I applauded my friend's artistic licence in creating the landscape instead of laying in the backdrop used for the photo and left it in, feathering the "snow" up to it. It's ironic that my first painting of the new year isn't really mine. It was an interesting exercise and a good way to get my hand back in it. How many of us have lost a painting and would have the nerve to ask someone else to save it? Of course he may not be thrilled that I posted this. Oops.
Posted by
Mark Adams
at
1:57 AM
7
comments
January 6, 2009
"Self portrait with Vincent"
Labels: Cat, self portrait, Siamese
Posted by
Mark Adams
at
7:14 PM
24
comments
January 5, 2009
Burglary
Ah! 2009 - Time to put all the bad stuff that happened last year behind us and look ahead to a bright new year. So what happens on day 3 of this bright new year? Someone breaks into my house and steals my iMac computer. Yes, the one that has taken me 9 months to finally get used to. Did I back up all my reference material that was on that machine? Yes and no. I had an external hard drive that automatically backs up the mac every hour and the perps left it behind. The trouble is that my auxiliary laptop is a PC and cannot read the data. Since I have to get a new computer anyway, I am going back to a PC. I never really loved the iMac other than the beautiful 24" screen.
Stay tuned. New work is coming, I promise.
Posted by
Mark Adams
at
9:19 AM
8
comments
December 19, 2008
"Down the tubes"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
Every time I go to the John I am reminded of Wall Street. Why do you think that is? I guess we are all concerned about our nest eggs being flushed down the loo. I was in New York last week at Bond 45 for lunch. Nature called and I answered. While I was attending to the business at hand I found the plumbing intriguing. Hope you do, too.
Labels: economy. toilet, flush, loo
Posted by
Mark Adams
at
11:34 PM
10
comments
December 18, 2008
"Champion Piper's Roman Gladiator"

Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
I deleted this by mistake so I am posting it again. Be sure to look down for todays painting which is underneath this one. It's a shame I lost this to cyberspace, there were some very lovely comments attached that I will miss. BTW - this is another of Anne Stark's dogs. You can find them at: www.piperspuppies4u.com
Labels: animal portrait, dogs, whippets
Posted by
Mark Adams
at
9:54 PM
10
comments
"Wilt on a Cold Day"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
As you can see, I am still in Dog Mode. Not that there's anything wrong with that. What appealed to me about this reference, other than the fact that he looks like Michael Phelps after winning his second gold medal at the summer Olympics, were the red and green blankets - quite apropos given the season. City street lights, even stop lights, blink of bright red and green. There is something magical about this set of complementary colors that isn't present in blue/orange, violet/yellow or other spectral variations. If you read my tag the other day you may have noted that I am mad for hot food. On a recent trip to New Mexico I was dining in a Tex-Mex restaurant and ordered some enchiladas. The server asked if I wanted my sauce, "red, green or Christmas?" Christmas, of course, meaning both. This little guy looks like he's plopped down on a plate of Christmas chile sauce. I have always been a Christmas kind of guy. In fact, I'm starting to look like a bit like Santa. By that, I mean I'm letting my white beard grow long, though I have been working harder on that bowl full of jelly than I should! Heck, I named my daughter Holly. Speaking of the holidays. I may be very busy this coming week; making lists and checking them twice, etc., so this may be my last post for a while.
Labels: animal portrait, Christmas, dachshund, Michael Phelps
Posted by
Mark Adams
at
9:42 PM
5
comments
December 16, 2008
"JJ upside-down on a hooked rug"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
I had an e-mail from a friend the other day who complained that I had been remiss in my blog duties, that I have not fleshed out the posted paintings with my usual amusing stories and bon mots. I'll grant you les mots justes have not been readily at my fingertips. Perhaps it is laziness on my part or is it that I have spent my creative energy on creating the painting and have nothing left for the blog? I usually tell myself that I will do the write up in the morning when I am fresh. Sometimes this happens but more often than not it doesn't. Gene Fowler said "Writing is easy: you just stare at a blank sheet of paper until drops of blood appear on your forehead."
Henceforth I will try and give the paintings a little background.
JJ brought me a little present tonight; a live mouse he found in the basement. He was plainly pleased with himself, since he isn't allowed outside and has hitherto only had various faux mice to play with. His delight turned to frustration when his treasure made a break for it and wound up behind my bookcase. JJ is in there still, biding his time.
Labels: animal portrait, cats, JJ
Posted by
Mark Adams
at
1:32 AM
6
comments
December 8, 2008
"Rover and Moe"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 10”
I didn't get too much of a back story on these little guys. I know that Rover (on the right) has gone to join the morning stars and his owner misses him terribly and wanted a posthumous portrait to commemorate his short life. Short in stature only. Judging from his grey muzzle he had a long and happily life. His notched left ear is a complete mystery. I should follow up on that.
Labels: dachshund, dogs, doxies, friends, wiener dogs
Posted by
Mark Adams
at
5:31 PM
7
comments
December 3, 2008
Getting the Blues
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I was at the art supply store yesterday and finally decided it was time to replace the ancient tube of Cerulean Blue paint that I've had in my paintbox since high school. I needed a dab of it the other day and found it lacked a certain youth. I also bought a tube of Cobalt Teal on impulse. (Cobalt Teal? Who knew?) I have been impressed with some of my fellow daily painters pool/ocean paintings and wanted to play with the genre. Splashing around in all that blue paint was totally foreign to me. My early palette layout was decidedly Dutch, with just a touch of Ultramarine keeping the earth tones company, to cool down the shadows. Although Salvador Dali disapproves of the pigment in his book "Fifty Secrets to Magic Craftsmanship," I also keep a bit of Prussian Blue on my palette. Laying on the paint in such a free manner was cathartic. It is good for a realist painter to remember what the medium is capable of. I didn't wait 30 minutes after eating to jump into this painting. I'm happy to report that I did not get a cramp.
Labels: animal portrait, pool. dog
Posted by
Mark Adams
at
11:38 PM
11
comments
"Maryland Steamed Crab"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
There is a song that is popular around this time of year called “[Oh, I want] Crabs for Christmas.” You may think that crab season is long gone. Au contraire, mon frère! Some of the best crabs we have ever had were consumed in the winter. Granted they were brought up from Texas or Louisiana but they were meaty and delicious. This little guy was the last of the local Chesapeake Bay harvest. Small, but fat and sweet. A pitcher of Natty Boh (National Bohemian) is the perfect accompaniment to these delightful crustaceans but sadly, at our favorite crab house we have to settle for Coor’s Light. It is visually identical to Boh, so use your imagination. Cheers!
Labels: beer, Chesapeake Bay, crab. blue crab, Maryland, seafood
Posted by
Mark Adams
at
1:35 AM
8
comments
December 2, 2008
"Tally Ho"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I have attended the Blessing of the hounds at St. John's Episcopal Church in Glyndon, Md for the last couple of years. The church is a charming neo-gothic cathedral nestled in the heart of horse country. It has always been pet friendly. For instance; my wife and I often attend Christmas morning service there where our dear friend Father Frederick Hannah has been the guest rector. I grant you it is a tiny church but I can only surmise that the bulk of the congregation was in attendance on Christmas Eve since the 10:00 am morning service never boasted more than two dozen or so parishioners. One Christmas morning, as we knelt at the alter awaiting communion, we notice a tiny nose poking out of the jacket of the man next to us. He had a tiny puppy with him. Father Fred gave the man the host and blessed the little dog, he did not let the puppy drink from the common cup.
I don't normally cut off heads in my compositions but this painting cried out for ambiguity and abstraction. The negative spaces, the pull of red and green, and the free brushwork came together to form a very pleasing painting (at least to me).
Labels: blessing of the hounds, fox hunting, horses, huntmaster
Posted by
Mark Adams
at
12:11 AM
20
comments
November 27, 2008
"Please sir, I want some more."
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
We weren't lucky enough at my high school to have our own composer like Kelsey from High School Musical to create something original. For our senior musical we were forced to use the work of Lionel Bart. I must that say our production of Oliver! was very professional, and not just because of the great scenic artwork in which I had a hand. Right by the computer are two large french doors and very often one or more little faces are pressed up against the glass, looking in with pleading eyes for more food. Even if I slide the door very slowly, they scatter. All except Sammy that is, he comes just inside the door to have a look. There is a scene in Oliver! when young Oliver, having finished his meager bowl of gruel goes up to Mr. Bumble for seconds. "Please sir, I want some more." he says. I often think that is running through these little girls' heads. This is of course Piper and her new daughter Shirley.
This painting looks better in reality. The photo doesn't show off the softness of the fur very well. For the record, my high school basketball team were the Parkville Knights. "Get your head in the game!"
Labels: calico cat, feral cats, kittens, wayward girls
Posted by
Mark Adams
at
1:08 AM
12
comments
November 24, 2008
Tag - you're it!
Tagging season is in full swing and I've been tagged by two fine artists this week. Alice Thompson and Susan Beauchemin both honored me with this distinction.
This is a fun way to get to know your blogger friends in art! The rules of this great game are:
1. Put a link in your posting to the person who tagged you.
2. List 7 unusual things about yourself.
3. Tag 7 other bloggers at the end of your post and comment on their blogs to let them know.
These are my seven;
1. I can recite Oscar Wilde’s “The Importance of Being Ernest” word for word. Once upon a time I went for light treatments for a skin problem I was having, which required me to stand naked in a tall cylinder filled with tubes of UV lamps for 30 minutes at a time. There is not much to do in there but contemplate life. To pass the time I would recite the play out loud. I nearly got up to Act II before the timer went off. I can only image what the nurses in the office thought listening to me arguing with myself in a pronounced British accent thusly:
Jack. How can you sit there, calmly eating muffins when we are in this horrible trouble, I can’t make out. You seem to me to be perfectly heartless.
Algernon. Well, I can’t eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them.
Jack. I say it’s perfectly heartless your eating muffins at all, under the circumstances.
Algernon. When I am in trouble, eating is the only thing that consoles me. Indeed, when I am in really great trouble, as any one who knows me intimately will tell you, I refuse everything except food and drink. At the present moment I am eating muffins because I am unhappy. Besides, I am particularly fond of muffins. [Rising.]
Jack. [Rising.] Well, that is no reason why you should eat them all in that greedy way. [Takes muffins from Algernon.]
Algernon. [Offering tea-cake.] I wish you would have tea-cake instead. I don’t like tea-cake.
Jack. But I hate tea-cake.
Algernon. Why on earth then do you allow tea-cake to be served up for your guests? What ideas you have of hospitality!
2. I love to eat spicy food that mere mortals dare not. Wilbur Scoville consults me for heat ratings on peppers. It must be the endorphin rush from the heat, like a runner's high. That said, I find those silly XXX hot sauces like Endorphin Rush to be nasty bitter extracts. I like taste with my heat, which leads into tidbit number 3.
3. I am an avid cook. I do the lion’s share of the cooking in our house, my wife does the baking. Baking is science, cooking is art. Don’t get me wrong, my wife, Susan, is a great cook, too. Baking requires precise measurements for things to do what they are supposed to do and that’s not my way. My maternal grandfather was a professional pastry chef and explained precise measures to me as a boy as he poured baking powder or salt into the palm of his hand. Years of practice taught him to know what a teaspoon of whatever looked like. Where measuring is concerned, I am a palm of the hand guy myself.
4. I’m gay -- Well, maybe not actually gay. I often listen to show tunes or vintage disco while painting. Lately it’s been “High School Musical.” How many straight men over the age of fifty do that? My mother, an aspiring actress, would wake me for school every day with her best Debbie Reynolds rendition of “Good Morning, good morning, we talked the whole night through. Good morning, good morning to you...” from "Singing in the Rain.” Of course I couldn’t really be gay, aside from the obvious choice of the gender of my partner; I dress like a biker (or a beatnik) and have the body of Balzac. One of my models likes to rub my tummy for good luck while whispering under her breath, “Buddha Belly.” This brings me to number 5.
5. I slept with David Hasselhoff. Well, maybe not actually slept with him, it was more of a sleepover. When I was a small boy, my parents were very good friends with his parents, Joe and Dolores Hasselhoff. (My mother pronounced their name Hazelhoff, as in witch hazel, back then.) When my parents would visit Joe and Dolores, they would pack my sisters and me in the car with our PJ’s. Eventually we and the Hasselhoff kids would fall asleep watching TV waiting for our parents to finish playing Canasta or whatever parents did in the fifties. I haven't seen him in fifty years. It’s a pity we lost touch, I know he rides a Harley and I’d love to go on a ride with him sometime.
6. My mother was an ailurophobe, I am an ailurophile. I didn’t grow up with cats but now I couldn’t imagine my life without them. But then anyone who reads my blog regularly knows that. J’embrasse mon chat sur la bouche.
7. I suffer from terrible stage fright. Painfully shy as a small boy, my mother thought the stage might help bring me out of my shell and enlisted me in a summer stock production of “Rumpelstiltskin,” where I played a peasant. I did get to wear a cool costume, but seeing all those people looking at me freaked me out. I was an acolyte at my church for four years, which petrified me, but I kept on despite myself because I loved the robes. The theatre is in my blood and in high school I became involved in set design and construction. I did a bunch of scene painting for Peabody Opera Theatre back in the 80’s. To this day I love to wear costumes. On any given day I either look like Maynard Krebs or a Hell's Angel. But if it’s Oktoberfest, the lederhosen comes out. Renaissance Festival? No problem. Christmas? Ho, Ho, Ho. Indeed I have so many fencing shirts, capes and waistcoats hanging in my closet, the cleaning people are beginning to wonder about me (see number 4).
My 7 victims, er tags are:
I don't know if I mentioned this, but we are designing and building a new house/studio which is really eating into my painting time. Hopefully tomorrow will see me at the easel.
Posted by
Mark Adams
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6:25 PM
14
comments
November 20, 2008
"Max"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
I've never painted a Cornish Rex before today. The coat of a Cornish Rex is curly and extremely fine. It's more like down than fur. Indeed, Max here would get hypothermia on a day like today if he was allowed outside. Not unlike JJ, Max has found a recently closed laptop to perch on. He lives with my friend George and his antics are legend. In case you were wondering what is in the background of this piece; it is huge glass bell dome covering a stuffed crane atop an ornate carved chinese stand.
As I am typing this, some drama was happening just outside. I had given Piper and the kids a bowl of kitten chow about 10 minutes ago and when I looked out, a very large raccoon was woofing down their food. They were cowering in their cooler/cathouse. I chased off Rory and checked on the gang. Everybody was OK, thank goodness. I still don't have the heart to separate Piper from her children. I am working on gaining there confidence.
It felt good to be back at the easel today.
Labels: animal portrait, cats, Cornish Rex
Posted by
Mark Adams
at
12:39 AM
7
comments
November 18, 2008
Art - A seeing and feeling process
I am not going to wallow in creative self pity once more. Suffice it to say that I just couldn't summon up the inspiration to push around the paint today. I have many wonderful images and ideas in the queue but they all seemed flat. I passed up dinner and Quantum of Solace tonight because I felt that I had to create something. (Sorry Steve, a vodka martini, shaken, not stirred, might have cheered me up) Some artists can force themselves to work when their heart isn't in it, and successfully come out the other side. If I try and do that, it is reflected in the paint, which just makes me feel worse. Performance anxiety sets in when I have been away from the studio too long. I hate to disappoint everyone who has subscribed to my blog and who look forward to wonderful new things from me. Sorry guys, I'm working on it. This economy is getting to me. Did I mention we are building a new house? How's that for timing?
Posted by
Mark Adams
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10:51 PM
5
comments
November 13, 2008
They're Baaack - and I'm gone









Posted by
Mark Adams
at
5:56 PM
9
comments
November 10, 2008
"Kittens in a wall"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
Maybe it's the little guys frolicking just outside the studio that made me want to paint this piece. I have been spending way too much time watching the "rat pack" as we call them. Sammy, Dino and Shirley are destined to make the move into the studio before the snow flies. I made a make-shift house by cutting a 8" x 8" hole in front of an old igloo cooler and put a heated dog bed in it, which they have taken to, so I am slightly less worried about them being cold. Piper is still a hissy little bitch but the kids are starting to think the big monster is O.K.
These little kittens looked at first like they were stuck in the wall of my friends barn, but I was assured that they could come and go with no problem and that they felt safe in their nest. Having a farm can be a challenge. People seem to think they can dump kittens off with impunity. After all, everybody knows you can't have too many barn cats. At last count my friend has 50 some outside cats and 16 inside. She is more of a bleeding heart than I am, God bless her.
Labels: barn cats, kittens, rescue
Posted by
Mark Adams
at
11:46 PM
12
comments
November 6, 2008
"Toasted Marshmallow"

Oil on museum quality, archival ampersand gessobord™ panel - 5” x 5”

Labels: camping, Marshmallows
Posted by
Mark Adams
at
10:51 PM
1 comments
October 26, 2008
Heading South
Posted by
Mark Adams
at
8:27 AM
5
comments
October 23, 2008
"Oyster Shell with Lemons"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I threw my back out yesterday, which put the "pain" in painting. I stand while I work and every time I twisted from my easel to my palette, which is on a converted music stand, it was electrifying. I guess being 55 is starting to take its toll. I may try and paint something simple today and hold the palette in my hand. I am riding my Harley on a 1200 mile ride down to the Florida Keys, leaving Sunday, so I want to baby my back until then. To that end, there will be no new daily paintings from 10-25 thru 11-5. "Please don't talk about me when I'm gone." On second thought, talk all you want. It is better to be looked over, than overlooked.
October 20, 2008
"Llama"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I recently attended a party at the farm of some friends. They have quite a varied menagerie; llamas, a kangaroo, a wallaroo, goats, sheep, chickens, a pig and cats, lots and lots of cats. I had never been face to face with a live llama. My introduction to them was from Dr. Dolittle's Pushme-Pullyu, so you can image my surprise at seeing that they only had one head. I also expected them to spit like camels, but one gave my friend Tom a kiss without so much as a little drool. I was impressed with these sweet creatures.
This just in: I got an e-mail this morning from my friend Marsharee who tells me I have painted "motley blue". Llamas put their ears back at half mast like that when being a bit cautious and first meeting someone new, so this is his "hmmm, let me see what I think of you" face and ears.
Labels: animal portrait, Llama
Posted by
Mark Adams
at
7:57 PM
10
comments
October 19, 2008
"Thor"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 10”
Last weekend two dear friends, Laura and Miriam, were staying at the studio. Both girls are aspiring opera singers living in New York. They asked me if it would be OK for them to bring their Miniature Schnauzer, Thor, with them. Hitherto my cats JJ and Anna had never had a canine houseguest, so I was naturally apprehensive but acquiesced. My fears, it turned out, were groundless. Thor, who lives in harmony, or at least detente, with a cat in the Big Apple, was not interested in my guys and JJ and Anna spent most of the weekend upstairs on the bed keeping a prudent distance. They never really met nose to nose, so I still don’t know what my guys think about dogs. At least they weren’t freaked out. They were more nervous about Laura’s morning vocal warm up exercises, which Thor is quite accustomed to. Not so with my childhood dog Emily. My father was a proud member of the American Legion and one chilly Sunday he took my sisters and me downtown for the Washington’s Birthday celebration. Also along for the ride was our pet beagle, Emily. It being February and as little kids are wont to do, we started complaining about the cold. We sought solace in a cathedral where a recital was going on. Since we had Emily with us, dad snuck her in under his coat and we all slipped up the back stairs to the balcony. A soprano was giving her all to “God Bless America” when Emily decided it was time for her Kate Smith imitation, Beagle style. I must say that even without warming up vocally, Emily could reach the high notes, though her phasing could have used some work. Needless to say we made a hasty retreat. That was the end of Emily’s singing career, at least for an audience.
While I had this handsome canine in house, I availed myself of his modeling services. I was cautioned by the girls that he was desperately in need of a haircut. So here is Thor. You may see him backstage at the Met someday, waiting patiently for his mistress(es) to return from the limelight.
Labels: animal portrait, dogs, Miniature Schnauzer, opera singer
Posted by
Mark Adams
at
9:46 PM
7
comments
October 15, 2008
"Piper's Work of Art"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
Oh My God! I know what you're thinking - "Mark has sunk to painting puppies and kittens!" What's next - Dogs playing poker? This is no mere puppy. He is the offspring of Champion Piper's Will Power and Piper's Felony Indictment. His formal name is Piper's Work of Art though his friends call him Artie for short, and short he is, being about six weeks old. You can watch him grow into the Champion he is sure to become at http://piperspuppies4u.com/
Labels: animal portrait, dogs, whippet
Posted by
Mark Adams
at
7:17 PM
9
comments
October 13, 2008
JJ Sleeping
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
JJ has the ability to make me laugh even when times are tough. He seems to know instinctively when I'm down and this position always produces a smile. He has been striking this pose since the day we brought him in. This deferential stance is what won Anna over. It says "Hey, I'm not here to cause any trouble, I just really want a tummy rub." Have you ever known a cat to sleep on his back?
Labels: animal portrait, Cat, rescue
Posted by
Mark Adams
at
10:44 PM
9
comments
October 9, 2008
"Sam"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
This is Sam, or should I say was Sam. Sam died last July 30th at the age of 14-1/2. He was diagnosed with cancer of the mouth when he was 10. His owner was told that half of his jaw needed to be removed but she couldn't do it since the prognosis was that he would only live another 12 months even with the surgery. She ended up taking him to a conventionally trained Cornell vet who practiced homeopathy too. With a simple cryosurgery procedure and Chinese herb treatments, he lived another 4-1/2 years and is now one of very few documented canine cancer successes. It was heart failure that finally took him out. The original reference was of him sitting on a garden bench in the bright sun. I chose to let my inner fashion illustrator come out and gave Sam the Richard Avedon/Irving Penn grey-seamless treatment. His fuzzy free spirit is thus unencumbered by all the extraneous, distracting elements.
Labels: animal portrait, cancer survivor, dog
Posted by
Mark Adams
at
12:13 AM
17
comments
October 8, 2008
"Piper's Felony Indictment"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
Do you remember when you were in elementary school and you were out sick with the measles for a week? You hated going back to class because you would be behind all the other kids and would have to catch up with the lessons. The measles were not much fun but it was cool having your own private mini vacation. I sometimes look at vacations like that. They may be enjoyable, but the dreaded "cold start" awaits me in the studio. I toyed with the idea of simplifying the blanket in this piece but I kind of like the wild animal aspect of it and the fluidity of dog and pattern. Felony is another of Anne Stark's champion whippets.
Labels: animal portrait, dogs, whippet
Posted by
Mark Adams
at
12:28 AM
3
comments
October 1, 2008
a little R&R
I will be away from the studio for a few days. No, I haven't checked into artistic rehab. This was some planned R&R "downy Ohshin" as we say in Balwmer. I actually came through this last bout of artistic malaise fairly quickly, with the sage advice of my fellow artists. Thanks to all who commiserated with me. I am looking forward to getting back to work on Saturday. My opening in Berkley Springs is Friday night, which also is an ego boost.
Posted by
Mark Adams
at
8:54 AM
0
comments
September 30, 2008
"Caymus"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I was going to call this "Four aces and his stop" but C.M. Coolidge beat me to it. This guy looks like he might be holding a royal flush from the look on his face. This is one of the "calling all dogs" reference. Thanks, Pegi Sue for the model and thanks everyone who sent me the fun images to play with. You will see more in the weeks to come.
Labels: animal portrait, dogs
Posted by
Mark Adams
at
4:31 PM
20
comments
September 29, 2008
"JJ with Flowers"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
This is my first attempt at getting back on the bike. I felt a little shaky but I pushed through. I wasn't going for a masterpiece, just something to build my confidence. Since JJ is my constant companion in the studio, I had but to look back to check my model. This is not a great reproduction of this painting. The flowers have more intensity in real life. It's a start.
Labels: animal portrait, Cat, florals, flowers, JJ
Posted by
Mark Adams
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12:03 AM
12
comments
September 28, 2008
Fish and Fowl invitation
Posted by
Mark Adams
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1:27 PM
0
comments
September 26, 2008
Creative meltdown
In case you are wondering why I haven't posted anything new in a couple of days, it is because I am having a creative meltdown. These things happen. I have not been happy with the last three paintings and have wiped them down. I am trying to work through it. Stay tuned.
Posted by
Mark Adams
at
2:53 PM
21
comments
September 25, 2008
Calling all Dogs! (and cats)
You may have noticed that I have been painting a lot of animal portraits lately. I may have found my true calling. While I have owned dogs in the past (Beagle, Scottie, Welsh Corgi and a Lhasa Apso at various times in my life) I now have only my two feline companions to serve as willing (or unwilling) models. Anne Stark, a breeder of champion whippets and dachshunds, has provided literally hundreds of photos of her dogs for me to pick from and hone my skills. (Thanks, Anne!) Along with these have been my friends pets; Mimi, Mr Big, Walter the wonder wiener, and Leo, to name a few. Although a great source of inspiration, they are but a tip of the iceberg in this learning curve of animal portraiture. I flirted with Appropriationism back in the 80's, in a sort of Roy Liechtenstein with Vogue Magazines instead of comics kind of way. It was fun and the paintings well received but what I really got out of it was the sharpening of my portrait skills. I do like having control over my images, but I am not opposed to source material that I can put my own spin on. There is a fun blog called Different strokes from different folks which compels artists to do just that. What I need right now is grist for the creative mill. I'm sure there is a dog show coming up sometime where I can get reference of some more exotic breeds like an Anatolian Shepherd or a Bluetick Coonhound, but my need is now. If you, gentle readers, have a photo or two (or more) of your faithful friends, canine or feline, past or present , and thought "Gosh, Mark could do something fun with this", send it to me and it may find its way onto these pages. JJ is getting bored with the whole posing thing. A link to my e-mail address is on the right column.
Posted by
Mark Adams
at
8:07 AM
9
comments
September 22, 2008
"China"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8"
Here is a better view of my sweet China. Her piercing blue eyes could melt the hardest heart. Non-cat people say that cats are too independent, that they wouldn't give you the time of day. These people never met China. She would come when called, loved to play fetch, would scold you when she felt it was time for bed and if you were sitting down she was in your lap. She was so light you never even felt her jump up, but look down and there she was. Her daughter, Anna, has many of her charming qualities. I thought China might get lost against all these patterns but I think it works. That deep purple and beige ottoman lives in my studio just a few feet behind me while I'm at the easel. If I take too many steps backwards, I go over it like Rob Petrie in the opening credits of the old Dick Van Dyke Show. I'd move it (my studio is 20' x 40') but JJ likes to sit close by while I work. It does keep me from losing my focus. Salvador Dali is said to have nailed a 2x4 on his floor to trip over and bring him back to reality; I have JJ. (I have been moving it ever so slightly towards the window. So far he hasn't noticed)
Labels: animal portrait, Cat, Siamese
Posted by
Mark Adams
at
8:13 PM
16
comments
September 21, 2008
"Young Equestrian"
Labels: equestrian, portrait, stable
Posted by
Mark Adams
at
8:43 PM
8
comments
September 18, 2008
"Oysters,Guinness and lemon"
Oil on museum quality, archival ampersand gessobord™ panel - 5” x 7”
Shiver me timbers! It be September me hearties and that be a month with an Arrrrr. Davy Jones has once again given up some of his treasure from the briny deep. In this case that be the Whale Rock oyster from the Mystic River in Connecticut. Sink me, it's time to splice the mainbrace. Fair winds!
OK, enough with the Captain Jack already! Do we have an accord? (sorry) I was in a funk yesterday and wasn't really in the mood to paint but regrouped later in the day to push around some paint. This piece is little more than a sketch but I like the spontaneity of it. There is something satisfying about scratching your name into wet paint. It is tantamount to carving your name in a tree, perhaps more so. Even the hardiest tree will fall but a work of art will go on. Unless the piece is total dreck, I don't know anyone who throws away art.* It may get passed around or given to the goodwill perhaps, but not thrown in the bin. The world is full of works of art that perchance should be tossed, but like an ugly child, someone will love them. So paint carefully my brothers and sisters. If the world is still around, and you have used good materials, the by product of your creative efforts will be around long after you are gone. There is a reason why they make "student grade" materials - planned obsolescence.
*I went to my 20th high school reunion back in 1990 and ran into a girl with whom I exacted my very first painting transaction. It was a piece I had done in Studio class my senior year of my friend Danny rising from a field of weeds or wildflowers (this was the sixties, baby, and we were letting our freak flag fly.) I was very flattered when this girl (a very attractive girl, I might add. One who I never had the nerve to even talk to) ask if she could buy it. Hitherto, I had not thought about pricing or even selling my work, so her question caught me off guard. "Sure," I stammered, "How about 10 bucks" This was a lot of money in 1969, at least it was to me. She agreed and we made the exchange. When I saw her again at the reunion, I asked about the painting. She informed me that her husband didn't like it and threw it out. Not gave it away, mind you...THREW IT OUT!! So much for my first sale.
Labels: Guinness, lemons, oysters, seafood, still life
Posted by
Mark Adams
at
12:45 AM
14
comments
September 16, 2008
"China with Kittens"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
I guess the feral kittens outside have reminded me of when my own cat China gave birth to her litter almost eighteen years ago. The last of which, Anna, is on my lap as I type this, with both paws over my left wrist and her head resting demurely on them. This does not help my already poor typing skill, but if I try and extricate my hand, she takes her paw and puts it back where it was. I think she is pleased that I finally got around to painting her, albeit if only one day old. As China got close to delivering, we made her a nesting box and placed a yellow towel on the bottom. Here, exhausted after a long night in labor, she settles in with her new family. The next night she decided we all should sleep together and one by one placed them on our bed. Fearing to crush the kittens in our sleep, we tried to persuade her keep them in the nesting box, to no avail. In the end, we made an island of pillows on the middle of the bed and there the seven of us slept for the next 8 weeks. It was one of the happiest times of my life. China, too, lost her battle with cancer three years ago, which was one of the saddest.
Posted by
Mark Adams
at
9:23 PM
18
comments
September 15, 2008
"Piper the calico kitten"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
A few weeks ago a little white cat showed up in the area we call the bird berm, a lush oasis for our avian friends to eat and bath and hang out together. In order to keep the peace and prevent this from becoming the cat feeding station, if you catch my drift, we put out some food for the cat, who looked to be quite pregnant. We convince her that free canned cat food served on the other side of the house, on our patio, was a better option than having to hunt for her meals. She soon became a regular diner at "The Cats Meow" patio restaurant. Word got around and soon we had another regular, a calico with white paws. We had named the white cat Bristol, after a certain Alaskan Governor's daughter, so it made sense to name her Piper, after her sister. Three days ago up pops 4 or 5 kittens and we still don't know whose they are. There is a totally black one, a calico. a white with spots and a tabby. They appear to be about 4 weeks old. I looked out the window this morning and piper was cuddled up with one of the kittens so perhaps they are hers. In any case, we are going through about 8 cans of food a day between our cats Anna and JJ and this new pride. Piper and I had a break-thru today; she has claimed me by rubbing, rubbing, rubbing my legs when I feed her. Sadly we didn't find the kittens early enough to tame them and they are quite the scaredy- cats. This is Piper on the blue stone patio.
Labels: animal portrait, Cat, kitten. calico, wayward girls
Posted by
Mark Adams
at
11:49 PM
15
comments
September 13, 2008
"Habaneros and jalapeños" - Altered states
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
I woke up this morning at 5:30 to feed the cats (their choice to break fast at dawn, not mine) and went over to the computer to check the blog. "How nice," I thought, "I already have a comment." It was more critique than comment, basically saying, in so many words, that the painting was not up to my usual standards. Hitherto, I had never had more than an improper rude comment about my nudes and here it was, staring out at me, what I considered the Internet equivalent of my wife saying, "Surely you aren't going to leave it like that." Early this week, I read a letter from a fellow artist on the Daily Painters site asking what to do about bad comments. Most people said to delete and ignore them. Her bad comment was, "Oh dear, please, spare us." Not the kind of remark that sends you running back into the studio to create. This guy's comment was more a helpful criticism. That early in the morning I was in no mood to see negative stuff about a work that I hadn't even seen since signing it at midnight, so I promptly deleted it. I immediately regretted doing so. Happily, my mail saves a copy and since he posted it on my comments page with his link, here is what he said: "I think your work not present well yet (especially the character of red peppers, the green ones are really good). It so different if I compare with other your work( Red and Yellow Peppers ). overall your works totally awesome, sorry if my english is not good and sarcastic, coz I can speak well in english.... thank you." Oddly enough, his comment was right on. I, too, felt that the habaneros were too red when I stopped the painting. Artists know a painting is never finished, merely stopped at a given time. Choosing the right time to stop is crucial. I spent an hour this morning bring this to a more satisfying stopping spot. In retrospect, his comment was quite flattering. Thank you, Febru.
Labels: chilies, habaneros, hot peppers, jalapenos
Posted by
Mark Adams
at
11:14 AM
9
comments
"Red Hot Chili Peppers"
Labels: chilies, habaneros, hot peppers, jalapenos, still life
Posted by
Mark Adams
at
12:19 AM
0
comments
September 10, 2008
"Whippet Portrait"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I used Will as a model a few months ago and I was fascinated by the variety of hues in his fur. The subtle pinks and blues in the shadows begged for more exploration. Also, the other piece was painted on linen mounted on a birch-wood panel. While I enjoyed that painting, the use of gessobord allowed the brushwork to be more pronounced. Tightening up the composition also changed the attitude of the painting by focusing on his lovely profile instead of his long, slender legs. I'm not sure which I prefer. To help you decide for yourself, here is a link to the May 2008 iteration of Piper's Will Power.
Will (a.k.a Ch. Piper's Will Power) and his progeny and canine cohorts can be seen at www.piperspuppies4u.com
Labels: animal portrait, dogs, whippets
Posted by
Mark Adams
at
11:58 PM
12
comments
September 8, 2008
"Radishes" - What's the madder?
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 6”
What's the Madder? I am talking about rose madder lake, a very expensive, crimson-like pigment, which I have in my paint box but never seem to have had an opportunity to put on my palette (until now). I was at the market on Saturday and these radishes called out to me. "Paint me, paint me!" they shouted. Radishes don't always agree with me, nor I them, but this time they were making sense. Wegman's has an automatic misting device in their produce department, and, as if on queue, the spray nozzles came to life and applied a dazzling sheen to these guys that intensified their color and sealed the deal. If I needed another reason, other than the classic, Christmasy goodness of the color scheme, the tips of this vegetable, just before going white, are a distinctive rose madder hue. I had to have them, if only to pull out that dusty tube and give it a little squeeze. Why did I buy the pigment in the first place? I had heard of its beauty and during a half-off sale at my local art emporium, dropped a tube in my basket. This place marks their prices in code - pigment such and such is "Code A", another "Code B" and so on. When I got to the counter, I found out what "Code E" was. Even half off, the small tube of pigment was $35.00. What the hell, I bought it anyway, and there it has sat until now. I could have faked it with alizarin crimson, but why?
From Horse Feathers:
Student: Oh, Professor, you're full of whimsy.
Professor Wagstaff: Can you notice it from there? I'm always that way after I eat radishes.
Labels: radishes, still life, vegetables
Posted by
Mark Adams
at
5:39 PM
4
comments
September 7, 2008
"Lobster on Ice"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I meant for these lobster paintings to be a "before and after" set but oops, I sold the other one already. I am going to hold this one back for the Ice House show in October. I had fun scumbling in the barnacles and craggy spines and, of course, ice is always fun to paint.
Posted by
Mark Adams
at
11:10 PM
4
comments
September 4, 2008
"Izzie"
Another small study of Izzie, the Pembrook Welsh Corgi. Dear Izzie was involved in a altercation with a neighborhood brute and came out on the short end. Plastic surgery was required to restore her nose to its original beauty. Like Violetta in La Traviata, she will always have this portrait to reflect on her past glory, although I am told her schnoz has healed nicely.
Labels: animal portrait, dogs, Welsh Corgi
Posted by
Mark Adams
at
10:40 PM
5
comments
September 3, 2008
"Newport Lobster"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
My first job, years ago, was a crab steamer in Baltimore. I was in my teens and although I enjoyed the independence that those first meager paychecks brought, I was not comfortable sending thousands of crabs to their death every night when I opened that steam valve. I resigned myself to my place on the food chain and took comfort in the thought that they gave themselves to a greater good. However, my heart wasn't in it and soon, when an opening came up, a found myself in the kitchen as a short order cook and my love of food and cooking began.
I was in Newport, Rhode Island last week and met two of these guys up close and personal. Thankfully they steamed them on the dock for us. Even with my notorious past with crustaceans, I don't have the heart to plunge one of these guys into boiling water. That said, they were delicious.
Labels: crustacean, lobster, Newport
Posted by
Mark Adams
at
12:12 AM
3
comments
September 1, 2008
"JJ on the sofa"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
With Cats, some say, one rule is true:
Don't speak till you are spoken to.
Myself, I do not hold with that -
I say, you should ad-dress a Cat.
But always keep in mind that he
Resents familiarity.
I bow, and taking off my hat,
Ad-dress him in this form: O CAT!
But if he is the Cat next door,
Whom I have often met before
(He comes to see me in my flat)
I greet him with an OOPSA CAT!
I've heard them call him James Buz-James -
But we've not got so far as names.
Before a Cat will condescend
To treat you as a trusted friend,
Some little token of esteem
Is needed, like a dish of cream;
And you might now and then supply
Some caviare, or Strassburg Pie,
Some potted grouse, or salmon paste -
He's sure to have his personal taste.
(I know a Cat, who makes a habit
Of eating nothing else but rabbit,
And when he's finished, licks his paws
So's not to waste the onion sauce.)
A Cat's entitled to expect
These evidences of respect.
And so in time you reach your aim,
And finally call him by his NAME.
T.S.Eliot
That name would be JJ.
Labels: animal portrait, Cat, JJ, Mark Adams
Posted by
Mark Adams
at
10:12 PM
21
comments
August 30, 2008
"Mimi"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
This sweet Bearded Collie belongs to my friend Diane. Mimi was a rescue dog who now lives with her two brothers, both Standard Poodles. There is no question who is the leader of the pack and that's Mme. Mimi. I caught her just before she struck a less ladylike pose that begged for a tummy rub.
When I think of Mimi, I think of the tragic heroine of my favorite opera; Puccini's La Boheme:
Mi chiamano Mimì,
ma il mio nome è Lucia.
La storia mia
è breve. A tela o a seta
ricamo in casa e fuori...
Son tranquilla e lieta
ed è mio svago
far gigli e rose.
Mi piaccion quelle cose
che han sì dolce malìa,
che parlano d'amor, di primavere,
di sogni e di chimere,
quelle cose che han nome poesia...
Mi chiamano Mimì,
il perché non so.
Sola, mi fo
il pranzo da me stessa.
Non vado sempre a messa,
ma prego assai il Signore.
Vivo sola, soletta
là in una bianca cameretta:
guardo sui tetti e in cielo;
ma quando vien lo sgelo
il primo sole è mio
il primo bacio dell'aprile è mio!
Germoglia in un vaso una rosa...
Foglia a foglia la spio!
Cosi gentile
il profumo d'un fiore!
Ma i fior ch'io faccio, ahimè! non hanno odore.
Altro di me non le saprei narrare.
Sono la sua vicina
che la vien fuori d'ora a importunare.
They call me Mimi,
but my real name's Lucia.
My story is brief.
I embroider silk and satin
at home or outside.
I'm tranquil and happy,
and my pastime
is making lilies and roses.
I love all things
that have gentle magic,
that talk of love, of spring,
that talk of dreams and fancies -
the things called poetry ...
They call me Mimi –
I don't know why.
I live all by myself
and I eat all alone.
I don't often go to church,
but I like to pray.
I stay all alone
In my tiny white room,
I look at the roofs and the sky.
But when spring comes
the sun's first rays are mine.
April's first kiss is mine, is mine!
The sun's first rays are mine!
A rose blossoms in my vase,
I breathe its perfume, petal by petal.
So sweet is the flower's perfume.
But the flowers I make, alas,
The flowers I make, alas,
alas, have no scent.
What else can I say?
I'm your neighbour, disturbing you
at this impossible hour.
Labels: animal portrait, bearded collie, dogs
Posted by
Mark Adams
at
10:52 PM
5
comments
August 26, 2008
"Urinal"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
OK, so I lied. Perhaps it doesn't have to be an animate subject to have fun with the light and paint. While I was in "chrome" mode I thought I would experiment with some loose paint and a piece of iconic porcelain. No Dadaist I, but I figured if it was good enough for Marcel Duchamp last century with his readymade "Fountain," why not have a go (no pun intended) and reprise it here. This particular plumbing fixture resides in the mens room of the Dogwood Gourmet in Baltimore. Elegant marble tile, rose tones and dramatic lighting raise the lowly pissoir to new heights, creating a theatrical aquatic display.
I'll be out of the studio for a couple of days. Look for new work on Saturday.
Posted by
Mark Adams
at
8:12 AM
13
comments
August 25, 2008
"Harley-Davidson"
Oil on museum quality, archival ampersand gessobord™ panel - 8” x 10”
So much for taking it easy after my operation. The painting you see here may prove to be what is known in artistic parlance, as a "unique" - a unicorn, dodo bird, an Ivory-billed woodpecker, the last of its kind. I don't know what possessed me to undertake such a painting other than my love of motorcycles and needing to ramp up the wow factor after my being away from the easel. Do I like this painting? Most definitely. Would I do another one? I'm not sure. Although I am delighted with the finished product, the application of paint was tedious; observe, mix, dab, repeat. No subtle glazes and bravado brushwork, merely precise placement of just the right color. Wearing an opti-visor and using 1/8th inch filberts and a lining brush is really not my thing. I am and have always been about the creative process, not necessarily the final product. If the process is good the resulting product will follow suit. Perhaps that is why I like painting people and animals. There is room for the brush to interpret. Maybe painting inanimate objects isn't in me. I have always been a figure and portrait painter. I like my work looking back at me as I go along. OK, maybe oysters don't exactly gaze out of the canvas, but you get my drift. So enjoy the Harley. Which is all I can do with my own Harley - look at it, as I am not allowed to lift it off the side stand for another 4 weeks. I couldn't have had my appendix out in the dead of winter.
Labels: bike show, Harley Davidson, motorcycle, Softail
Posted by
Mark Adams
at
1:07 PM
12
comments
August 24, 2008
So close
Nurse Susan says I have over done it today and so I must wait until tomorrow to finish the Harley painting. She is probably right, as usual. Oh well. Check back, it is a very strong piece.
Posted by
Mark Adams
at
9:43 PM
1 comments
August 20, 2008
"Cold Comfort"
Oil on museum quality, archival ampersand gessobord™ panel - 5” x 7”
Here is another painting for the upcoming "Fish and Fowl" show at the Ice House Gallery in Berkeley Springs, WV. I am putting it on the Daily Painters site as "contact me for availability" since it is possible that they may swim back upstream to the studio after the show.
Labels: fish
Posted by
Mark Adams
at
11:33 PM
6
comments
"The Cat's in the Bag"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
I still had the notes on my palette set to paint JJ so I thought I'd add a touch of whimsey and go a bit graphic with this one. There is a painter in New Orleans named George Rodrique who has made a handsome living painting his dog Tiffany, aka the Blue Dog. His "Blue Dog" series is good fun and while I am not attempting to emulate him here, there is an amusing similarity. I like the fact that it is a total opposite of his (i.e. orange instead of blue, cat instead of dog). I should paint something completely different tomorrow, JJ is getting a big head from all this attention.
Posted by
Mark Adams
at
12:14 AM
4
comments
August 18, 2008
"Cat and Mouse"
Oil on museum quality, archival ampersand gessobord™ panel - 6” x 8”
This is my cat JJ's favorite place to sleep. In the afternoon the western sun shines through the office window and warms the great mahogany desk and the small laptop, already warm from its own power, becomes a relaxing pillow. Needless to say, my wife has to coax him off with treats to resume work. More often she will use the downstairs desktop, rather than disturb him. She used to leave the laptop open, but that resulted in him sending odd e-mails in secret, cat code that only his feline friends could decipher. Leaving the laptop half-closed was no good either. It took him no time to figure out how to close it all the way, resulting in turning off the computer; oops, where was I? He is a great cat and a fantastic mouser to boot. He has found quite a few in his forays into the basement. I couldn't resist the visual pun here.
August 17, 2008
"Hummingbird"
Oil on museum quality, archival ampersand gessobord™ panel - 5” x 5
I have paid my dues to the appendix gods and have laid about for a week being a slug. I am happy to report that I am on the mend and able to stand for a few hours at a time. That said, I decided to start off small. It doesn't get much smaller than a hummingbird, so here she is, as seen from my kitchen window. I am endlessly amazed at the aerial acrobatics of these tiny creatures. They are quite territorial and protect their turf with the intensity of a World War I Sopwith Camel dogfight.
Labels: birds, hummingbird
Posted by
Mark Adams
at
5:41 PM
9
comments
August 8, 2008
Technical Difficulty
Standing in for Mark for this post is his wife. You know, the one who so often looks at one of his finished paintings and says, "I love it all, but for that little splash of white there," to which Mark replies, "That's exactly what makes it sing to me!" And I usually come around to appreciating the splash of white in time, though occasionally the splash of white will be softened to appease me.
Posted by
Mark Adams
at
10:34 PM
10
comments
August 6, 2008
"Foxhounds"
Not a sound from the pavement
Has the moon lost her memory
She is smiling alone
In the lamplight
The withered leaves collect at my feet
And the wind begins to moan
Memory
All alone in the moonlight
I can dream of the old days
Life was beautiful then
I remember the time I knew what happiness was
Let the memory live again
Every street lamp seems to beat
A fatalistic warning
Someone mutters and the street lamp sputters
And soon it will be morning
Daylight
I must wait for the sunrise
I must think of a new life
And I mustn't give in
When the dawn comes
Tonight will be a memory too
And a new day will begin
Burnt out ends of smoky days
The stale cold smell of morning
A street lamp dies, another night is over
Another day is dawning
Touch me,
It's so easy to leave me
All alone with the memory
Of my days in the sun
If you touch me,
You'll understand what happiness is
Look, a new day has begun...
Labels: dogs, fox hounds, fox hunting
Posted by
Mark Adams
at
11:38 PM
11
comments
work in progress - "Foxhounds"
In keeping with the dog days of summer, I have started this painting of a group of fox hounds waiting to be blessed on Thanksgiving morning in Glyndon, Maryland. Here is a rare glimpse of my working process. I am going to try and freeze my palette to preserve my mixed pigments. Look for the finished painting here tomorrow.
Labels: dogs, fox hounds, fox hunting
Posted by
Mark Adams
at
1:48 AM
0
comments
August 5, 2008
"Let sleeping dogs lie"
Oil on linen mounted on birch wood panel - 8” x 10”
What is it about a patch of sunlight that draws an animal to it like moths to a flame? My cats JJ and Anna live for these hot spots. On any sunny morning, the competition to see who gets to sit in the chair by the east window in the kitchen begins, each cat vying for that precious patch of solar real estate. My studio faces due north, so there is no direct sunlight, much to their dismay. When we were looking to buy our first house years ago, the realtor would remark about the wonderful sunlit room that would make the perfect studio. Perfect for getting a tan, perhaps. The reason north light is great for painting is that it is cool, constant and indirect. That beacon of bright sunlight is not a welcome guest in the studio, reflecting its warmth off the oak floor and onto my canvas. My studio has two huge north facing windows and skylights which are a wonderful source of illumination. However, two oval windows, high on the east and west walls, alert me to brave Helios' presence. The west window I can easily close off by going into the loft and covering it with a makeshift cardboard disk. The East window is more of a challenge. Closing this aperture requires a long telescoping pole and some dexterity to place the disk just right.
The Wiktionary (sorry Daniel Webster) describes the expression "Let sleeping dogs lie" as thus - To leave things as they are; especially, to avoid restarting an old argument; to leave disagreements in the past. - Eventually, they decided to let sleeping dogs lie and not discuss the matter any further. I have found this to be sound advice in matters domestique.
These sleepy-heads belong to my friend Anne. In case you are interested, she tells me she has two new litters waiting in the wings. You can see them at: www.piperspuppies4u.com
Labels: animal portrait, dogs, whippets
Posted by
Mark Adams
at
12:26 AM
8
comments





























































