"Oysters and Champagne"

Oil on museum quality Ampersand Gessobord™ panel 8" x 10"

"Vincent on quilted pillow"

Oil on museum quality Ampersand Gessobord™ panel - 8" x 10"

The recent spate of posthumous pet portraits has led me to the archives and this image of my own dearly departed Vincent. If you have ever read Cleveland Amory's "The cat who came for Christmas" you will understand the reference that Vincent was my "Polar Bear". A cat like him comes along once in a lifetime (if you're lucky). I am twice blessed because J.J., too, is such a cat, (meaning no disrespect to Sammy, Shirley or Ella). Vincent was only with us for ten years and struggled with uncontrolled diabetes for the last 3 1/2 of those. We planned our social schedule around his 12 hour insulin routine. What a brave boy he was! Because his blood sugar had wild swings up and down, we had to test it just before giving his shot. The drill was this: heat a small sock filled with rice in the microwave. Press it to his ear until the blood warmed and shine a small flashlight to see a vein. Prick it with a retractable lance pen and get a sample then calculate the amount of insulin. You would think the sound of the microwave would send him hiding under the bed. On the contrary - he would saunter into the kitchen and flop over on the rug, knowing he was going to get lots of love and attention. God, I miss him.

"Gideon"

Oil on museum quality Ampersand Gessobord™ panel 8" x 10"

Once again I have been called into service to paint someone's dearly departed companion. This is Gideon in younger and happier days. I'm told he had 15 wonderful years with his owner since being adopted from Cocker Spaniel Rescue of New England. Rest in Peace Gideon.

"Tangier Sounds"

Oil on museum quality ampersand gessobord panel 8" x 8"

I know what you're thinking - "That's it!?! The first painting of the new year; the first painting off the easel in a month is an oyster painting!?! Where's the new series? Where's all the pent up inspiration gushing forth? Oysters...OYSTERS!!! We want something new; something fresh. We've seen this bit; what else ya got? Oops...sorry. Actually that is what I'm thinking and have been for a while now, which accounts for the lack of work on these pages. In my defense, oysters are fun to paint and just picking up the brushes after a month is a step in the right direction. Look for new work soon. Happy New Year!

"Dallas"

Oil on museum quality ampersand gessobord™ panel 8" x 10"

See - I'm not dead, although my old hard drive is. What a nightmare trying to salvage my images and reload all my programs onto the new drive. Although I have a huge 1T external hard drive, I had become lax about backing up. Lesson learned. Back up your work every day or at the very least once a week. It is also a good idea to keep your program and driver disks in one handy place in case you have to reload them. I have been painting during all this mess but most are Christmas presents and I didn't want to post them for fear of blowing the surprise. This is one such painting, but I doubt the recipient is aware of my blog. I was not told his name but he reminds me of Tramp from the old TV show My Three Sons.

This just in: "His name is Dallas and he's a rescue dog...he has a new family in Ellicott City."

"Roscoe"

Oil on linen mounted on wood panel 8" x 10"

This portrait of Roscoe differs from my usual daily paintings in that it is painted on a linen covered wood panel. I was a little apprehensive about working on a textured surface on this small of a scale, but my fear was groundless (no pun intended). The beautiful 1/4 inch birch wood SourceTek panel took the paint beautifully. The real challenge was getting a good photo of the finished painting due to the constellations of reflected light splattered across the textured surface. I finally got a decent shot this afternoon using the natural north light in my studio. It was a particularly bleak day, weather wise, which also softened the light. Once again my faithful beat-up bristle brushes came in handy to capture Roscoe's course fur and soft muzzle.

"Centreville Carousel Horse"

Oil on museum quality ampersand gessobord panel - 7" x 10"

I spent some time in Toronto this summer and came across a wonderful old carousel on Centreville Island. Built in Germantown, Pennsylvania by the G.A. Dentzel Steam & Horsepower Co in the early 1900's, this hand carved wooden carousel is one of about 30 left in existence today. It contains 52 animals 3 abreast, 36 of which are jumpers. There are also 2 chariots. The accompanying band organ is a Wurlitzer. I thought I'd have a little fun with this one. I felt the menagerie around him was a bit distracting so I isolated him from the ostriches, bunnies, pigs and other whimsical creatures dancing in the picture plane. I still wanted a sense of color and motion so I kicked up the vibrancy and kept the paint loose (for me). Does it work? The jury is out.

"Mardi Gras Bloody Mary"

Oil on museum quality ampersand gessobord panel 8" x 10"

And now for something completely different!

Something that one sees around Jackson Square in New Orleans is a form of naive folk art using familiar icons of the area. Often done with ordinary house paint on found planks of wood or shingles, these colorful objet d'art are cheerful and amusing. I thought it would be fun to try my hand at one using a subject that is near and dear to me - Tabasco. I probably have over 100 bottles of hot sauce of various stripe in the pantry and in the fridge (much to my wife's chagrin) but the one that gets utilized the most is the ubiquitous Tabasco. Nothing else tastes like it. I dare say you could make a Bloody Mary with Jamaica Hell Fire Sauce but it wouldn't be the same. I further embraced the New Orleans theme by using purple, green and gold - the colors of Mardi Gras, to really sink it home. I thought the black outline gave the painting a clumsy folksiness. I told you I was going to have fun.

"Sammy with pumpkin"

Oil on museum quality ampersand gessobord panel 8" x 8"

It's raining cats and dog...well, OK, just cats, in the studio lately. Hey, can I help it if I have a ready supply of willing models at my beck and call? Alice Thompson's Calypso Moon Art Movement has challenged us to paint a Halloween themed painting this month and my Sam seemed like a good fit. He has been unhappy with J.J. getting all the attention lately and was an eager model. Well, it helped that I sprinkled the pumpkin with catnip. He implored me to paint out his little white bib and white underbelly but I couldn't do it. It just wouldn't be Sammy if I did.

"Administrative assistant"

Oil on museum quality ampersand gessobord panel 8" x 8"

My wife Susan occasionally works from her home office and is often visited by unsolicited I.T. support in the form of J.J. He is highly skilled at sending e-mail and types in some form of code that only cats can read. In keeping with my new more painterly approach to the daily paintings, this piece was a study in contrasting colors. The ubiquitous "windows" blue playing off the warm oranges of J.J.'s fur. I am still on the fence as to whether this one works or not. I was close to wiping it down along the way. I'll know better tomorrow. J.J. is thinking "Now where did she put that mouse?"

"Cleo"

Oil on museum quality ampersand gessobord panel 6" x 6"

Like ordering a Cosmo at a bar, it takes a truly manly man to paint puppies and kittens. I really wasn't going for the cheap shot with this piece - honestly. I was grabbed by the Tissot-like back-lighting on this little imp. My friends Sherry and Joe just adopted two sweet sisters from the S.P.C.A. These gregarious girls, Cleo and her litter mate, Iris, couldn't be cuter if they tried. Cleo was clowning around on the landing stairs and her aura of light and amusing expression was something I deemed paint worthy, if just a silly bit of fun.

"Poissons"

Oil on museum quality ampersand gessobord panel 6" x 6"

These cold fish have been on ice in my queue since my last trip to France, which, as many of you know, was quite some time ago. Fresh in my mind these many months, they have resurfaced to remind me of why I started painting in the first place - because it's fun! At least it's supposed to be. I seemed to have lost sight of that fact recently. What started for me back in '07 as an experiment in "daily painting" - a new art movement with the sole mandate of completing a small work of art every day, became something quite different. I must admit that I seldom attained the stated goal, but I was content with 3 or 4 per week. Trouble came when I felt compelled to make the work tighter and tighter. Not content with small, quick oil sketches, I wanted to do something that would wow people. The diminutive panels ceased to be mere little studies and became polished works of art. The praise I got from these little jewels was like a drug. I lived for the comments on my blog. I spent way more time on them than I could ever possibly justify, given the monetary ceiling of the internet marketplace. I started using the opti-visor more and more. Frustration set in and I began to resent them. That, my friends, is my long winded explanation for why I have not been posting. I recently made a pilgrimage to the Corcoran Museum in Washington to see an exhibition of Chuck Close's prints. That man knew how to have fun. His "fingerprint" works are a stark reminder that we should have fun in the process. Embracing this revelation, I allowed myself to once again feel the support - to scratch and scumble and toss the paint. This piece may not be great, but it was fun and that's a start. I feel like I'm swimming upstream.

"Asta la vista, baby"

Oil on museum quality ampersand gessobord panel 8" x 8"

For those of you still out there, who were wondering what became of me - all I can say is I have been (once again) wrestling with my muse and that lady has been hitting the gym. She did allow me the best two out of three falls and I am happy to say I won the bout. I am picking up were I left off, with Asta as an ersatz canine Bacchus. I have been implored to create a wine label to be used in a fund raiser for the Humane Society at the Dogwood Restaurant in Baltimore. In all honesty, it did not take much pleading for me to take on this project, as the Humane Society is a charity near and dear to my heart. The study of Asta, which I did before the freeze-up acted as a service dog to guide me back to the easel. Good boy, Asta.

"Asta"

Oil on museum quality ampersand gessobord panel 6" x 8"

This piece is much nicer in reality. Try as I might, I couldn't get the subtle coloration to come through. Perhaps It is the late hour. That said, I won't be writing much about this piece tonight other than to say that Asta is one of the sweetest dogs I have ever met. He is the canine equivalent of JJ and that is high praise indeed. He is also the top dog at my favorite restaurant - The Dogwood in Baltimore.

"Spotted Llama"

Oil on museum quality ampersand gessobord panel 6" x 8"

What's in a name? that which we call a rose
By any other name would smell as sweet...

I visited the farm of two dear friends over the weekend and they have, within their vast menagerie, some two dozen, wildly varied, llamas, Sadly, I got lost in all the names of this one and that one. No, there was not a Dahlia llama nor a Fernando llama. For all I know this guy was named Spot, the Wonder Llama. I am certain to find out his true appellation when they see this post. Aside from the glorious wool that comes from these sweet creatures, another perk is llama poo which is better than miracle grow. I used some on my herbs and you could practically see them growing, like Jack's bean stalk. It's really good sh*t.

I painted one of their llamas a few years ago and was told that when they put their ears back they are wary or nervous. This fellow seems to be saying "All right, Mr. DeMille, I'm ready for my close-up."

"Bella"

Oil on museum quality ampersand gessobord panel 8" x 10"

I was channeling my inner Matisse tonight with this painting of Bella. The jury is out on the contrasting colors and vertical stripes. Again I wanted the paint to show so I didn't get too fussy with it. I may be horrified in the morning. Hitherto I had not painted a vizsla, so it was a challenge on many levels.

"Oh Lucy!"

Oil on linen mounted on board 6" x 8"

...you got some splainin' to do! Actually I've got some splainin' to do. Today's painting was an experiment with painting on a more textured surface than I have been using for these little studies. I had an e-mail from someone who liked my work but preferred a more textured surface than my usual ampersand panels . Oddly enough, I find the brushwork is more pronounced on a smooth support, as the stroke has no place to hide and is there for all to see. I'll grant you that you do get an evening out and diffusion of light reflected off the surface of a cloth support but on such small work it is tantamount to painting on burlap if you scaled it up. I personally like the bit of tooth that ampersand panels have.

I met Lucy last week at a friend's house. I assume her appellation was derived from a certain wacky redhead that we all know and love. She is a sweetheart.

I've had to begin comment moderation as I have been getting a lot of spam on the comment page lately. Sorry about that but your feedback is still important to me so keep 'em coming.

"Drink Me"

Oil on museum quality ampersand gessobord panel 6" x 6"

Before you say "Jeeze, Adams can't paint a round bottle to save his ass." let me say that this particular vessel has the weirdest shape. Flat on two sides with square diamond nipples, then ridged on the adjacent sides with a slightly curved front. Curiouser and curiouser; could this have been the model for the little bottle Alice found on the table in wonderland?

" ... round the neck of the bottle was a paper label, with the words `DRINK ME' beautifully printed on it in large letters. It was all very well to say `Drink me,' but the wise little Alice was not going to do that in a hurry. `No, I'll look first,' she said, `and see whether it's marked "poison" or not'; for she had read several nice little histories about children who had got burnt, and eaten up by wild beasts and other unpleasant things, all because they would not remember the simple rules their friends had taught them: such as, that a red-hot poker will burn you if you hold it too long; and that if you cut your finger very deeply with a knife, it usually bleeds; and she had never forgotten that, if you drink much from a bottle marked `poison,' it is almost certain to disagree with you, sooner or later.

However, this bottle was not marked `poison,' so Alice ventured to taste it, and finding it very nice, (it had, in fact, a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast,) she very soon finished it off.

Until recently, painting a still life was as unfamiliar to me as being 10" tall was to Alice, and sometimes just as frustrating. I have great respect for my fellow artists who can render inanimate objects with precision. That is not where my heart lies. I am much more comfortable painting organic subjects, be they fish or fowl, man or beast. I thought I would step out of my comfort zone to portray this little medicine bottle, which is on loan to me by some dear friends from Virginia. They brought me a treasure trove of miscellaneous brick-a-brack to inspire me during my recent creative malaise. I think it is safe to say they have the largest collection of cobalt blue glass on the East Coast. This panel may be another "unique" as I found the painting of this somewhat tedious and I am afraid it shows. Hey, at least I was swishing paint.

"Carmel"

Oil on museum quality ampersand gessobord panel 5" x 7"

For some perverse reason I wanted to try and paint my sister-in-law's dog, Carmel with a single worn out bristle brush. I was mostly successful, with the exception of a small sable brush for the detail in the eyes. I kinda scrubbed in the oriental rug rather than get too fussy with it. There is some fun greens and blues in her fur. According to my niece's facebook page, Carmel, whom she lists as a sibling, is spelled "Carmel" although I think she was named for the candy (caramel) How does one pronounce caramel anyway? Is it like that town in California or does it have three syllables as in Car-a-mel? This burning question (even more than TP - over or under?) has plagued me for years.

"Leo in the sunshine"

Oil on museum quality ampersand gessobord panel 6" x 8"

Here is Leo once again in happier days relaxing in the morning sun. Sadly he recently crossed over the rainbow bridge after nearly two decades as my friend Stephanie's constant companion. I have been sitting on this reference for a while, waiting for the right time to use it. I've been in an artistic funk (again) and he has helped me through it. Thanks, Leo!

New Orleans Horse and Cart

Oil on museum quality ampersand gessobord panel 8" x 10"

So much for coming back tanned, rested and ready. Oh, well. I've always felt a little sorry for the poor horses in front of the Saint Louis Cathedral in Jackson Square. It can't be fun in July and August pulling a cart full of sweaty tourists around the French Quarter. On the bright side - it is relatively flat and they know the drill so maybe it isn't that bad a gig. Speaking of sweaty tourists - we set a record here in Baltimore yesterday - 105 degrees! Woo hoo!