Oil on museum quality, archival ampersand gessobord™ panel - 8” x 8”
Here is the finished painting. I am happy to report that freezing one's palette does work to keep the paint from drying out or skinning over, even earth pigments. You learn something new every day. I read this tip (no, not from Heloise) on the comments page of someone's blog. Whoever mentioned this, I am grateful. I used to submerge my palette in a tray of water, which also works but it is not ideal.
Call it perverse, but while I painted this piece I was listening to a recording of the original Broadway production of CATS. Anna, who is on my lap as I type this, thinks it was purrfectly fine. She does question my masculinity on occasion; show tunes and all that.
Midnight
Not a sound from the pavement
Has the moon lost her memory
She is smiling alone
In the lamplight
The withered leaves collect at my feet
And the wind begins to moan
Memory
All alone in the moonlight
I can dream of the old days
Life was beautiful then
I remember the time I knew what happiness was
Let the memory live again
Every street lamp seems to beat
A fatalistic warning
Someone mutters and the street lamp sputters
And soon it will be morning
Daylight
I must wait for the sunrise
I must think of a new life
And I mustn't give in
When the dawn comes
Tonight will be a memory too
And a new day will begin
Burnt out ends of smoky days
The stale cold smell of morning
A street lamp dies, another night is over
Another day is dawning
Touch me,
It's so easy to leave me
All alone with the memory
Of my days in the sun
If you touch me,
You'll understand what happiness is
Look, a new day has begun...
Not a sound from the pavement
Has the moon lost her memory
She is smiling alone
In the lamplight
The withered leaves collect at my feet
And the wind begins to moan
Memory
All alone in the moonlight
I can dream of the old days
Life was beautiful then
I remember the time I knew what happiness was
Let the memory live again
Every street lamp seems to beat
A fatalistic warning
Someone mutters and the street lamp sputters
And soon it will be morning
Daylight
I must wait for the sunrise
I must think of a new life
And I mustn't give in
When the dawn comes
Tonight will be a memory too
And a new day will begin
Burnt out ends of smoky days
The stale cold smell of morning
A street lamp dies, another night is over
Another day is dawning
Touch me,
It's so easy to leave me
All alone with the memory
Of my days in the sun
If you touch me,
You'll understand what happiness is
Look, a new day has begun...
11 comments:
The finished product is supurb! Take from a dog lover! As always I love the way you've captured those beagle so soulful eyes.
Truly god's creatures awaiting their blessing.
These hunting hounds are BREATH-TAKING GORGEOUS! I can hear them calling! Makes me miss that fall trip into the woods & fields with my horsey buddies. (sigh)
Diane, Thanks, as always for your comments and reflections. I'm glad you got to see the actual work in progress and approve of the follow through.
Roxanne,
Ironic that you should stop by, as I was going to leave you a little comment today. I peruse the daily paintings when they first come on, around 12:30 am, and your "Queen of Summer" painting was one of the first that I clicked on. I love the hobbit-like perspective and those little splashes of red in the foreground.
Thanks for the compliment BTW. Tally Ho.
Fabulous composition, Mark! Love it! Your palette here is so inviting. I also particularly like the expression on the hound in the center right. Beaututiful. Jeanne
P.S. - Just a tidbit of info re your comments about preserving oil paints in use. I always used to put Saran Wrap or waxed paper over my paints on my palette and gently press down to cover the blobs of paint well. When ready, peel off and voila! Of course now I'm so darned busy, I just leave them out all the time...I seem to be working in my studio morning, noon and night! :) Jeanne
love it! wonderful painting.
Jeanne.
I appreciate the kind words. I had a beagle growing up named Emily, so I have a soft spot in my heart for hounds.
Thanks for the tip on the saran wrap. I'll try that next time. Umbers and ochres get a skin on them and dry out overnight, which isn't so bad out of the tube, but if you've mixed up a bunch of blended variations it can cost you lost time in re-mixing.
Thanks, Rhonda!
thanks for the kind comments Mark...& yes, to Jeanne, I go for the Saran wrap on the palette, too.
Mark, this is beautiful--bravo!
Post a Comment